The research titled Montage Realizing Fantasy in the Rain Tree Film (MontaseMewujudkan Fantasi dalam Film Pohon Penghujan)uses qualitative research methods with a formalist esthetic approach and Eisenstein's montage theory. The problem in this research is how the montage manifests the fantasy in the RainTree film?The study in this study focuses on the montage, thus giving meaning in the fantasy film of the Rainbows. The analysis used to dissect the problems used Eisenstein montage theory, namely metric,rhythmic,tonal,overtonal,and intellectual.The results obtained in the research shows a way of fantasy creation,that is,there are some Lacan fantasy scenes,the way the subject is eagerly read through the Eisenstein montage. Through the montage of Eisenstein can be seen the essence of each shot is displayed and the formation of how the characters in the film RainTree knows his passion and shapes his desire through a series of montage.Keywords: Fantasy,Montage,RainTree.

A Man Space is a short fiction film that adopts masculine and feminism in a human body, which tells of a family consists of a father and three sons without a woman in the house. All was gone smoothly before there is occurs a problem where the father wanted to replace their mother figure. The film’s problems are not only the father wants to get married again, but also the problems that arise in the community. A man was called as a man because of what? The third child’s question to his father because he was the last son and still searching for his identity while his old brothers already have different characters each other though in the one house and no one could finish this problems only respond with a man way. Without a woman, a man can do what he wants.Keywords: A Man Space, without woman, masculine, and feminine

This paper examines forms of the audience attention in RidingThe Light movies which is produced by the impressions of the object adjustment to structure basic of audience thinking. Here, objects are introducing their self to the audience so that they can be accepted and been awared by them because of their condition.Then, object makes adjustments on twelve categories in the audience brain. For finding the audience attention, theory of photoplay Münsterberg serves as the basis of research assuming that audience processes mentality because there are self adaptation of movies in the human intellection of being in the form of space, time, and causality. Therefore, attention is a one of the audience mentality process when film objects, RidingThe Light, was introducing itself.Keywords : Attention, adjustment, RidingThe Light, and film

What is Yoga? How is Self-realization achieved through Yoga? The great Sage Pātañjali (3rd Century B.C.) defined yoga in the Yoga-Sūtras as “the restraint of the modifications of the mind” (yogaś-citta-vritti-nirodah). In his Yoga-Sūtras (196 sutras), Pātañjali systematically laid down the exact methods and techniques for attaining Self-realization through the Eight Limbs of Pātañjali’s Yoga (Ashtānga-yoga). This system is commonly known as Rāja-yoga (Royal yoga). This Eight Steps is the way to attain self-transcendence. It consists of yama, niyama, āsanas, prānāyāma, pratyāhāra, dhāranā, dhyāna and samādhi. This article will focus on Ashtānga-yoga in the practical and philosophical contexts. Other systems of yoga also use this Eight Steps, but each yoga may start from and emphasize different aspects of yoga. However all systems of yoga accept and practice the Eight Steps of yoga to achieve the final goal, that is liberation (kaivalya, moksha, mukti). Yoga also reconciles the six systems of Indian Philosophy (Shadh Darśana).   Keywords:  Rāja-yoga  (Royal  yoga),  Hatha-yoga  (Hard  yoga), Bhakti-yoga (Yoga of Devotion), Jñāna-yoga (Yoga of Knowledge), Ashtānga-yoga (Eight limbs of Yoga), Citta-vritti-nirodha (Restraint of  modification of  the  mind),  Purusha  (Spirit),  Prakriti  (Matter), Iśvara-pranidhāna (Surrender to God), Moksha (Liberation).

AbstrakTulisan ini menelaah bentuk eksibisionisme film Riding The Lights berupa konstruksi sinematik yang melakukan penyesuaian diri pada kategorisasi akal. Dalam proses tersebut, terjadi peristiwa film yang memberi cerapan inderawi. Hal ini bertujuan untuk membangun kesadaran penonton atas wujud objek. Adapun konsep perhatian Münsterberg digunakan untuk menemukan bentuk eksibisionisme dalam film Riding The Lights. Konsep perhatian berada dalam teori Photoplay yang menganggap bahwa proses mental disebabkan oleh penyesuaian diri yang dilakukan oleh film pada struktur dasar berpikir penonton. Pada teori psikologi film ini, konsep perhatian ditempatkan sebagai salah satu proses mental ketika menyaksikan film, yakni sebuah fase ketika mata penonton menerima cerapan inderawi secara tidak sadar. Hasil telaah menunjukkan bahwa bentuk eksibisionisme dalam film Riding The Lights mengarahkan penonton pada tokoh wanita berbaju hijau.Kata kunci: eksibisionisme film, film Riding The Lights, cerapan inderawi, perhatian terpilih Abstract Exhibitionism in the Film of 'Riding the Lights'. This paper examines the form of film exhibitionism in Riding The Lights, in the form of cinematic constructions that made adjustments to the categorization of reason. In that process, there was a moment that the film gave a sensational perception. It aimed to build the audience's awareness of the object's form. As for the concept of Münsterberg's attention was used to discover the form of exhibitionism in the film of Riding The Lights. The concept of attention lied in the theory of Photoplay, which assumes that mental processes are caused by the adjustment carried by the film on the basic structure of audiences' thoughts. In the theory of psychology of this film, the concept of attention was placed as one of the mental processes when watching the show, which became a phase when the eyes of the audience received sensational perception unconsciously. The results of the study showed that the form of exhibitionism in the film of Riding The Lights led the audience to the figure of women in green.