In theoretical criminology, scholars continue to debate the significance of power-based perspectives in the face of semiotics and vice versa. Among the problems created by 'taking sides' is the missed opportunity that would allow for the synthesis of instrumentalist and culturalist work. Recognizing the merits of both perspectives, this project explores penal tourism in Argentina in ways that reveal key forms of state power alongside important cultural signs, symbols, and messages. In particular, our case study of the Argentine Penitentiary Museum in Buenos Aires delivers a thick description of its collection so as to bridge Foucault's insights on systematic penal regimes with Durkheim's socio-religious concepts: pollution; the sacred; the mythological; and the cult of the individual.

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