Moslem is a human obedience in submission to Allah SWT. The surrender to Allah SWT consists of spiritual and civic practices based on the Quran and Sahih Hadits. In community practices are influenced by how culture forms in society. Identity is part of the culture and social environment that can be shifted according to the dynamics of society life. Identity revolves around the space and time of every generation in the world of everyday life that comes from human thoughts and actions and evolves into real practice including Chinese culture which became a variety of Nusantara ethnic groups summarized in the activities of the Lautze 2 Mosque.  The aim of this article is to examine how a Chinese Muslim as an Indonesian Nation by maintaining Chinese cultural identity without conflicting with religious rules by making the mosque utilizes. The method used is descriptive qualitative method to analyze how the Lautze 2 Mosque in Bandung has an active role in community activities and da’wah. The result show that the Chinese Muslim community has an active role in the utilize of the Lautze 2 Mosque as a means of religious da'wah, has an active role in helping people regardless of ethnicity and customs but still maintaining their identity as Chinese Muslims.

The objects of cultural development in Bandung city which is very developed is the art of Angklung. Angklung is one of the typical arts of West Java that has been around for a long time. The existence of Angklung in Bandung city has existed since 1930 before Indonesia's independence. Pioneered by Daeng Soetigna, angklung developed in Bandung from the pentatonic scale to the diatonic scale. The aim of this research is to describe the existence of Angklung in Bandung City as an ecosystem in Bandung City. The method used is descriptive qualitative by exploring the role of all members of the community from craftsmen to academics in maintaining the existence of Angklung in Bandung City. The results show that all categories of community who are involved and related to the art of angklung carry out preservation based on their respective roles, either groups of traditional, modern or contemporary Angklung players. The conclusion of this research is that every member of the community who is related to the art of Angklung, including the Angklung community, Angklung craftsmen, Angklung artists, academics, trainers and Angklung teachers have a major role in maintaining the existence of Angklung from time to time in Bandung city as a cultural heritage and cultural destination.