Translation has now become subject matter since its role as cross-culture and cross-language mediator. This research, then, aims to unfold the translation strategy and ideology reflected in literary work. The data source are the American short story “The Lottery“ written by Shirley Jackson and its Indonesian version “Undian“ translated by Harum L Wibowo. This research employ qualitative approach and descriptive method. Both of the strategy of literary translation theory by Kazakova (2015) and translation ideology theory by Venutti (1994) are used to answer the question of the research. This research found that translator used all four strategies of literary translation proposed by Kazakova; helper strategy (35,57%), observer strategy (26,17%), enlightener strategy (20,13%), and adherent strategy strategy (18,12%). It also found that the strategy used by translator alternately applied both foreignization and domestication ideology on his translation process. Thus, while preserving the foreign culture and language, the translator also adapt ST/SL into TT/TL in his translation process to make it fluent to the target reader.

Romanticism is not just a term that marks a certain period in western European society, it is also reflected in the works of literature in the 18th century and emerged as a movement, understanding, value, thought, freedom, morals, nature, art and literature. Thus, the aim of this research is to find how nature as the one of romanticism value reflected in William Wordsworth’s poem “The World is Too Much with Us”. In this research, the writer used a qualitative approach in collecting data and descriptive method in analyzing the data. The aim of this method is to describe the state of a situation in a systematic and factual manner. This makes it easier to understand the meaning of dictions, idioms and topics Finally, the William Wordsworth’s “The World is Too Much with Us “shows us how the element of nature found inside the poem. It is the author's way of contrasting the ideas of Romanticism over the materialistic society which is the product of the Enlightenment.

AbstrakTulisan ini terfokus pada isu-isu dan wacana tentang krisis yang ada pada novel-novel dystopian science fiction (dystopian sf). Dalam kasus ini tiga trilogi Hunger Games Trilogi (2008Trilogi ( -2010, Maze Runner Trilogi -2011), Divergent Trilogi (2011-2013 dijadikan objek utama untuk melihat sejauh mana teks novelnovel dystopian sf ini mengangkat isu-isu dan wacana tentang krisis di dalamnya. Novel-novel dystopian sf yang merupakan wacana tandingan dari novel-novel utopian sf kini tidak lagi menghadirkan elemenelemen masa depan yang utopis, melainkan menghadirkan kemungkinan-kemungkinan terburuk di masa depan. Terlihat bahwa penulis-penulis dystopian sf menghadirkan narasi-narasi tentang krisis, kemiskinan, kesuraman, dan pesimisme dalam novel-novelnya. Hal inipun terbaca sebagai salah satu bentuk kritik dan peringatan yang penulis-penulis tersebut coba sampaikan ke pembaca melalui teks fiksi. Pada akhirnya, kondisi krisis yang tampak pada teks novel-novel dystopian sf ini memungkinkannya memiliki relasi dengan sejarah dunia di luar teks tersebut.Kata kunci: krisis, dystopian science fiction, Amerika, sejarah. PendahuluanSejak awal abad ke 20, karya distopia mulai bermunculan dan seakan tampil sebagai pemain pengganti dari semangat utopia yang perlahan-lahan mulai ditinggalkan oleh masyarakat modern. Dalam dunia sf, semangat distopia pun menjadi gairah baru bagi penulis-penulis sf untuk menghidupkan kembali masa kejayaan sf yang sempat redup sejak ketegangan antar negara barat yang berujung pada dua perang dunia.Kemunduran utopia tersebut tidak lepas dari kejenuhan masyarakat terhadap mimpi-mimpi yang tidak kian terwujud dan malah makin memburuk, seperti timbulnya perang, krisis ekonomi, politik dan moral. Para pembaca sf pun mulai mencari-cari bacaan yang lebih bisa menggambarkan dan mewakili kondisi yang sedang mereka rasakan.Kata "distopia" atau "dystopia" sering digunakan sebagai lawan kata "eutopia" atau "utopia" atau sering juga disebut anti-utopia, counterutopia, inverted utopia yang merujuk pada sebuah (2008)(2009)(2010), Maze Runner Trilogy (2009-2011), Divergent Trilogy (2011-2013 Abstract This paper focuses on issues and discourses about the crisis that existed in the dystopian science fiction (dystopian sf) novels. In this case, Hunger Games Trilogy

This paper focuses on issues and discourses about the crisis that existed in the dystopian science fiction (dystopian sf) novels. In this case, Hunger Games Trilogy (2008-2010), Maze Runner Trilogy (2009-2011), Divergent Trilogy (2011-2013) are the main object to see how far the text of dystopian sf novels address issues and discourses about the crisis within. Dystopian sf novels that are the counter-discourse of utopian sf novels has no longer present the utopian elements of the future, but, contrastly present the worst possibilities of the future. It appears that the dystopian sf writers present narratives about crisis, poverty, darkness, and pessimism in their novels. It even reads as a form of criticism and warning that the writers are trying to convey to the reader through fictional texts. In the end, the conditions of crisis seen in the text of these dystopian sf novels open its relationship with the world's history outside the text.Keywords: crisis, dystopian science fiction, America, history.