This project reviewed on the artwork that exhibited in galleries is always in danger of being deteriorated due to exposure or the unconducive environment unless a good system of preserving them is in place. The valuable artwork must protect, and therefore a useful archiving technology needs to be engaged for the perpetual digitalized artwork. This project was able to digitalize for constant archiving of artwork that contains various themes, styles, content and context from a different medium. The identification is essential due to categorizing the types of material, including physical and visual protection through digitations.  Keywords: Archiving; Artwork; Digitized; Sustainable Context; Visual eISSN: 2398-4287 © 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v6iSI5.2944

Media art has evolved over time. Artists are developing intermedia in their art. It begins in 1950s NYC. The idea of Intermedia has since extended globally. Malaysia's media development is influenced by western Intermedia. Malaysian artists are intermedia experts. This research aims to determine why Malaysian artists use Intermedia and to classify its disciplines. This research was place in studio or online, depending on current conditions. Pandemic, artist demand. This research used library, catalogue, and web sources for data. The data will be analyzed to classify the artists' Intermedia use. Intermedia has diversified into numerous disciplines, and it's still growing. Keywords: Intermedia, Malaysian Art, New media eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC  BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.3940

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This project seeks to identify the fundamental form of Islamic geometrical patterns found in the National Mosque. The internalization from the subject and visit helps to produce an installation sculpture. The sculpting process uses plywood as the primary material and is formed by using mathematical methods and woodworking as the approach. The work presents in installation as it potentially delivers a sense of sacredness towards the audience. Therefore, this study explores the chronology of artmaking inspired by the hidden form and its foundation in Islamic ornament and reviews how its complexity creates a sense of sacredness towards the atmosphere of human psychology. Keywords: Sensuousness Space, Islamic Geometrical Ornament, National Mosque, Installation eISSN: 2398-4287 © 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., U.K. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v6iSI6.3042