The study of historic buildings is usually based on the collection and analysis of iconographic sources such as photographs, drawings, engravings, paintings or sketches. This paper describes a methodological approach to make use of the existing iconographic corpus for the analysis and the 3D management of building transformations. Iconography is used for different goals. Firstly, it's a source of geometric information (image-based-modeling of anterior states); secondly, it's used for the re-creation of visual appearance (image-based texture extraction); thirdly it's a proof of the temporal distribution of shape transformations (spatio-temporal modeling); finally it becomes a visual support for the study of building transformations (visual comparison between different temporal states).The aim is to establish a relation between the iconography used for the hypothetical reconstruction and the 3D representation that depends on it. This approach relates to the idea of using 3D representations like visualization systems capable of reflecting the amount of knowledge developed by the study of a historic building

ABSTRACT:During the modelling process, 3D models are not easily conceived to support changes over time. On the contrary, for the description of cultural heritage, it is often necessary to display not only the actual state of buildings but also their previous states so to understand their modifications. The construction and structuring of spatio-temporal models of cultural heritage demand a double conceptual effort: on one side, 3D models must be reconstructed and structured in space according to architectural concepts; on the other one, such elements should follow the criteria of temporal decomposition. For this reason, links between structured elements should be established to keep track of changes over time. Moreover, only the current state can be reconstructed in a rigorous way using a combination of different 3D measurement techniques (such as laser scanning and photogrammetry); on the contrary, knowledge about past states is conditioned by missing elements, whose morphology and dating can reveal uncertain. For this reason, this paper describes a methodological approach to make use of the existing iconographic corpus for the analysis and the 3D management of building transformations. The aim is to establish a relation between the iconography used for the hypothetical reconstruction and the 3D representation that depends on it. As a result, 3D representations can be used like visualization systems capable of reflecting the amount of knowledge produced studying historic buildings. * Corresponding author. This is useful to know for communication with the appropriate person in cases with more than one author.