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In this essay, we extend conversations around motherhood depictions in popular culture to women inmates on television. Specifically, we explore intersections of incarceration, motherhood, trauma, and power on Foxtel’s Wentworth (2013–2021) through the character of Bea Smith. We investigate her journey to Top Dog status—analyzing how these intersections propel her to that highest authority position in prison, while also unpacking why they contribute to her losing that coveted position. We argue that Bea’s trauma morphs her into what D’Amore calls a “vigilante feminist,” who uses violence to protect herself and others. However, Wentworth shows the complicated nature of how trauma operates with motherhood as it intersects with incarceration and power in that Bea’s journey is not a straight one. Instead, Bea shifts away from the role of vigilante feminist at times, opting in favor of using violence for pure revenge.

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