Penyelidikan ini merangkumi pemahaman metafora melalui perkaitan objek perwakilan dengan seni untuk meningkatkan nilai dan estetika dalam memahami karya seni. Karya seni dapat didefinisikan dalam dua bentuk format iaitu representasi dan bukan representasi. Kedua-dua bentuk format ini menekankan modenisme. Penyelidikan ini membincangkan objek yang dijumpai mewakili kiasan 'kepercayaan' serta memiliki ciptaan seni sambil mencerminkan sejarah, fungsi dan dikontekstualisasikan dalam Karya Seni 2D. Konsep siap pakai diperkenalkan pada tahun 1917 ketika Marcel Duchamp memperkenalkan idea untuk menjelaskan kemampuan sifat fizikal, refleksi psikologi, dan adanya ideologi untuk meniru simbol, dan metafora sebagai akar dalam paradigma baru dalam praktik konseptual. Bahanbahan 'berbicara' dengan sendirinya dalam mewakili 'realisme' sebagai keputusan untuk memperkuat persepsi objektiviti dan mempersoalkan tradisi praktik perwakilan di era modernisme. Kualiti idea ini membawa kepada pengabstrakan dan pemahaman yang kompleks tentang bahasa dan komunikasi seni. Penyelidikan ini menerangkan dua metodologi dalam merujuk objek dan subjek dalam seni visual. Metodologi ini metafora dalam pendekatan semiotik dan psikoanalitik dalam perspektif. Dalam semiologi, metafora melibatkan dan memerlukan satu cara penting iaitu 'penanda' di mana ia merujuk kepada subjek utama (literal) dan juga dinyatakan dalam subjek sekunder (kiasan).   This research covers the understanding of metaphor through the association of representational objects to art to enhance the value and aesthetic in understanding artworks. Artwork can be defined in two forms of format which are representational and non-representational. These two forms of format emphasise modernism. This research discusses the found objects which represent the metaphor of ‘belief’ as well as possess artistic creation while reflecting history, functionality and being contextualised in 2D Artworks. The concept of ready-made was introduced in 1917 when Marcel Duchamp introduced the idea of explaining the capability of physical properties, psychological reflection, and the existence of ideology to imitate symbol, and metaphor as a root in the new paradigm in conceptual practises. The materials ‘speak’ by itself in representing ‘realism’ as a decision to reinforce perception of objectivity and questioning the tradition of representational practice in the era of modernism. This quality of ideas leads to abstraction and complex understanding of the language and the communication of art. This research explains two methodologies in referring to objects and subjects in visual art. These methodologies are metaphor in semiotic approach and psychoanalytic in perspective. In semiology, metaphor involves and needs one mode of significance which is the ‘signifier’ in which it refers to the primary subject (literal) and also expressed in the secondary subject (figurative).

Social and cultural influences the community in many ways either directly or indirectly. Thus, this paper argues about the community perception focusing on the age of youth towards the Public Park in Kota Bharu regarding their expectation and their emotions upon this public park. Questionnaire regarding the youth’s perception about the relationship between the feelings and the Public Park utilization has been done as well as using observation and Semantic Differential Method. The result shows by the exploratory factor analysis based on eigenvalue cut off resulting four components regard to the facilities provided in Taman Perbandaran Tengku Anis with a total cumulative 72.324% while there are three components explained their feelings with total cumulative 72.923%. Consequently, the expectations and feelings of the youth as the users or visitors at this park is related to the component attractions of this park. Although this park can be considered as a successful urban public open space in terms of the physical environment designation that offered plenty of human activities onto it, the youth have their own on this public space.