AbstrakKecamatan Delanggu adalah salah satu area di Kabupaten Klaten yang memiliki popularitas secara nasional dalam hal pertanian padi. Namun sangat disayangkan saat ini kekayaan yang terbangun dari kegiatan pertanian padi seperti budaya, alam dan elemen lainnya makin terkikis dengan arus perkembangan zaman. Oleh karena itu pendekatan edukasi perlu dilakukan kepada masyarakat lokal agar kembali memahami potensi yang mereka miliki dan menjadikannya elemen pembangun masyarakat yang berkelanjutan. Festival merupakan salah satu wadah yang bisa memberikan edutainment bagi masyarakat lokal. Melalui pendekatan Jinshin no Hana, festival dikembangkan dengan menekankan masyarakat lokal sebagai “pemeran utamanya”.  Dalam implementasinya pendekatan ini dilakukan dengan metode analisa “treasures   mapping”, stakeholders, brainstorming ide dan pemeringkatan melalui pairwise method, dan realisasi. Dalam implementasinya, kondisi pandemik membuat pendekatan diprioritaskan   melalui online   dan   penyelenggaraannya   secara   terbatas   di lapangan. Kegiatan yang dilakukan dalam festival ini ada 6 kategori, yaitu preservasi, perbaikan lingkungan, kesenian, publikasi UKM, permainan berbasis potensi lokal, dan workshop kerajinan jerami padi. Kata Kunci: desa, festival, komunitas, online AbstractDelanggu District is one area in Klaten Regency that has national popularity in the rice farming sector. Unfortunately, in modern days, the intangible wealth developed from traditional rice farming activities such as culture, nature, and other elements are gradually disappeared. Therefore through educational approaches, it is essential to re-introduce the local community to increase their awareness of the local potential and create it as an element of sustainable community development. Festival is one of the media that can provide an edutainment approach for the local community. Through the use of the Jinshin no Hana method, the festival was developed by emphasizing the local community as the “main actor”. In its implementation, this method is performed through treasure mapping analysis, stakeholders analysis, idea brainstorming, and ranking via the pairwise method and implementation. In this pandemic situation, the realization was prioritized by an online and limited person in field implementation. Activities performed in this festival divided into 6, (1) preservations, (2) environmental improvement, (3) art performances, (4) SME’s publication, (5) games based on natural materials development, and (6) rice straw crafts workshops. Keywords: community, festival, online, village

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The service focuses on training on processing glass waste as the main ingredient in making mosaic works, themed on folklore. Aims to provide knowledge about the potential of glass waste, and the technical practice of processing it to become a mosaic work. The training participants were a group of young people from Noloro, located in Sawit, Panggungharjo, Bantul DIY. The method used in the implementation is ADDIE, which stands for the stages of the process itself, namely Analysis, Design, Develop, Implement, and Evaluate. The result of the training is a mosaic work from glass waste, taking the theme of one of the folk tales from Bantul Regency, namely about the Krapyak Stage as well because it is a very iconic building.

Desa Sidowayah merupakan desa dengan masyarakat bermata percaharian sebagai petanisehingga sangat mudah ditemukan jerami di area tersebut. Bahkan, tidak sedikit pula jerami yangpada akhirnya menjadi limbah. Pelatihan pengolahan limbah jerami menjadi barang pakaiberwujud kertas seni merupakan salah satu solusi untuk menambah nilai guna limbah jerami.Kegiatan pembuatan kertas seni juga dapat menjadi altaernatif warga setempat untuk menciptakanpeluang usaha yang baru dan diharapkan dapat meningkatkan perekonomian. Kegiatan pelatihanberlangsung selama empat hari, dengan menerapkan metode Analysis-Design-Develop-Implement-Evaluate (ADDIE), dari persiapan alat dan bahan, pemberian pengarahan danpengetahuan tentang proses pengolahan kertas seni, praktik dengan arahan, dan praktik secaramandiri, hingga evaluasi. Peserta yang sudah mendapatkan keahlian dalam mengolah limbahjerami menjadi kertas seni diharapkan mampu mengembangkan hingga dapat membawa manfaatbagi diri sendiri dan juga masyarakat sekitar terutama Desa Sidowayah.

The present study captured people's perception of murals at Gatot Subroto street (Gatsu), Surakarta, Indonesia. On the one hand, murals at Gatsu were viewed as attractive works since they presented positive expressions and did not contain any criticism. Moreover, they were viewed as capable of enlivening a creative urban atmosphere. On the other hand, some people viewed that these murals also represent an irony as murals are supposed to be the means for lower-class people to voice their criticism and protest and be utterly free from the government's intervention. This study finds it necessary further to explore the Surakarta people's perception of these works. This qualitative study was expected to capture the people's perception of the murals and how murals can influence people's views in this era. To this end, interviews, observation, and literature studies were conducted. Hegel's dialectics was applied to obtain the middle alternative for the contradictive views.