The article deals with the concept of hyperrealism in the projection on a fictional work of the 20th-21st centuries. The study is focused on the features and techniques of hyperrealism, inherent in different types of art, which have been reflected in literature, in particular French literature. The period of powerful development of digital technologies made scientists wonder about the essence of reality, and taking into account the fact that the latter can create their own reality, their attitude towards it acquires different, modified features: what I see may be or may not be reality. Thus, the dominant philosophy of this period is the attempt to manipulate reality in various forms of art, both verbal and fine art. Hyperrealism in painting, sculpture, and cinema uses similar techniques. Therefore, the purpose of this article is to find out the techniques and means of hyperrealism in the French literature of the 20th-21st centuries. Works of French writers whose creativity is consonant with the techniques of creating/reproducing excessive reality in a literary text were selected as the illustrative base of the research. The methods of component and linguostylistic analysis, as well as elements of communicative-pragmatic and descriptive analyzes were applied to achieve the desired objective. Thus, in the article the narrative technique of detailing the image is positioned as the dominant technique of hyperrealism in French prose works, functioning at the compositional, linguistic, and syntactic levels of the literary text. It is found out that this technique is accompanied by a detailed description of the photograph as a reflection of the development of photorealism precisely in this period and by a realistic description of the city acquiring forms of working with the map. Detailing that runs through the whole content and structure of a fictional work of art is aimed at the reader, in particular at gaining his/her confidence in the events and/or actions depicted. Herewith, the text has a minimum of evaluative characteristics that could simulate the reader's opinion regarding events and/or actions, since all the detailing is directed to the free judgment of the reader. Therefore, the detail is the key element by which you can "grab" the reality, because changing the detail gives rise to a new spiral of reality. The content of the article can serve for further studies of modifications of the concept of reality, its dependence on the worldview of a man, and its multidimensionality on the material of works of fiction or other arts from the perspective of psycho or sociolinguistics.

Introduction. One of the tasks of modern gender linguistics is to reveal non-verbalmeans that help to construe gender distinctions of the character and the image of the authoras well. Studying the critical literature concerning such aspects as the image of the author,implied author, author and narrator proved the actuality of the subject of the given investigation.Critical works’ analysis showed that this facet has not been studied well, there are still a lot ofgaps, as for instance, non-verbal means of author’s image construing. Purpose. The paper aimsto reveal paragraphemic means used by the women writers in French autobiographical novelsand suggest narrative and pragmatic facet of author’s gender identity construing in Frenchautobiographical novels written by women writers. Methods. To define the functions ofparagraphemic means in author’s gender identity construing the investigation is methodologicallygrounded on narrative, pragmatic and stylistic analysis. Results: The paper singles out andclassifies the group of paragraphemic means which help to construe author’s gender identityin French autobiographical novel written by women-writers. Dominant place among such meansbelongs to the pictures breaking the narrative of the novel, the size of narrative, italic meansof accentuating the author’s intention and numbering the abstracts. Conclusion. Paragraphemicsis applied facet in linguistics that studies graphical text organization and the functions of nonverbal means in revealing the author’s intentions. Being restricted in their proper meaningsnon-verbal means bound semantic variety of phrase or supra-phrasal units. They introducesome information in that way as it is supposed to be decoded by the reader. Non-verbal meanshelp to make the image of the author and construe his/her gender identity.

Тучкова Олена Олександрівна, кандидат філологічних наук, старший викладач кафедри іспанської та французької філології, Київський національний лінгвістичний університет СИНТАКСИЧНІ ЗАСОБИ НАРАТИВНОЇ ТАКТИКИ В АВТОБІОГРАФІЧНОМУ РОМАНІ Синтаксичні засоби наративної тактики в автобіографічному романі. Інтрадієгезис французького жіночого автобіографічного роману залучає синтаксичну потужність з прагматичною метою впливу на читача, задля здобуття його віри в реальність викладених подій. Дослідження синтаксичних особливостей привідкриває завісу розуміння світу автора-жінки. Фемінні маркери балакучості, емоційності, чуттєвості реалізуються через негомогенність синтаксичного малюнку, наповнення синтаксичних форм стилістичними засобами націлене на активізацію уяви читача.