The paper considers otter hunting and wildfowling in England between 1945 and1970, showing how arguments over human conduct in relation to the animal were linked to scientific studies of populations, moral arguments over cruelty and the abilities of field sports to restyle themselves as modern. If wildfowling restyles itself as a new conservationist practice, otter hunting is increasingly regarded as a form of landed barbarism. Detailed studies of Herefordshire and Norfolk are drawn upon alongside national debates. The paper emphasizes the effects of geography in debates over such practices, extending work on animal geographies through the study of animal landscapes.key words animal geographies landscape otters wildfowl sport England

This paper examines the introduction of a novel and modern form of natural history education in Britain in the 1960s, the nature trail. The rise in the number of nature reserves owned by county conservation trusts and the Nature Conservancy after the Second World War raised the issue of how they might best be used by members of the public. Reserves were initially seen by many as places from which the public should be excluded. The American concept of Nature Trails was introduced by a powerful group of nature conservationists to raise the profile of nature conservation and educate people. The role of the two National Nature Weeks of 1963 and 1966 is examined. The paper concludes with a detailed case study of the planning and management of the nature trail at East Wretham Heath, Norfolk.

examined the political potential of domestic space in contemporary Argentine and Chilean cinema (2005-2015). His current research explores the cultural significance of the sea in modern Chile, studying a range of media from poetry to film and video installation. He has also published articles on the fiction of Roberto Bolaño and the relation of contemporary Argentine film to Italian neorealism. Total word count (excluding references): 7,000

No abstract

Latin American Culture and the Limits of the Human curates an important series of case studies of the posthuman imaginaries and nonhuman tropes employed in a broad range of Latin American cultural texts, from the narratives of Las Casas to new media and installation art in contemporary Mexico, Colombia, and Argentina. The book’s introduction highlights the ways the figure of the “limit” has functioned as an important site of aesthetic, ontological, and political experimentation and reworking in Latin American cultural production, and underlines the potentialities and possible risks associated with the use of posthuman frameworks in the region. The different chapters examine the ways human borders and boundaries have been tested, undermined, and reformulated in relation to issues including dictatorial violence and drug war necropolitics, ecological storytelling, indigenous thought systems, gender, race, history, and new materialism. The book as a whole marshals a wide range of theoretical frameworks and points to the complex ways Latin American culture intersects with and departs from global formulations of humanism and the posthuman.