The development of social media in Indonesia seems to encourage the emergence of some opinion leaders. Since the rise of social debates on social media, several figures become new influencers in the community. These figures are not famous persons like artists or public officials. Instead, they are ordinary people that appear because of their ability to manage netizens' interest through social media accounts. This phenomenon happens to Boy BNR, a Facebook account. In the range of July-September 2018, Boy BNR's popularity surged because of various posts containing protests over the existence of singing birds in the Regulation of Minister of Environment and Forestry No. P.20/MENLHK/SETJEN/KUM.1/6/2018. This regulation categorized some plants and animals as protected subjects. In its development, Boy BNR emerged as an opinion leader in the #tolakpermen20 movement that created by Kicaumania Singing Bird Community to protest the P.20 regulation. In Kicaumania's perspective, Boy BNR was a hero. By observing social media activities on Boy BNR's Facebook account, focus group discussions within Kicaumania community members, and an interview with the Head of the Regional Natural Resources Conservation Agency (BKSDA) Ciamis III, this study maps Boy BNR's role as the leader of virtual opinion in the #tolakpermen20 movement. The analysis was done by using Marshall Scott's Poole adaptive structuring theory. This article describes the existence of Boy BNR as the leader of the #tolakpermen20 movement and defines the message conveyed through Facebook. Along with the influence that has been developed through social media, the #tolakpermen20 movement succeeded in forcing the Minister to exclude five singing birds from the list of protected plants and animals.
Video warga dalam program berita merupakan fenomena baru dalam perkembangan jurnalisme TV di Indonesia. Fenomena ini terkait teori Intermedia Agenda Setting, di mana media massa arus utama menganggap pentingnya informasi yang muncul di media sosial. Sebuah konten viral atau trending topik digunakan oleh media arus utama sebagai elemen daya tarik untuk meningkatkan rating dan share. Dengan menggunakan metode deskriptif kualitatif, artikel ini membahas kecenderungan 14 media penyiaran televisi Indonesia yang memanfaatkan video warga dan video viral media sosial dalam program siaran berita. Penulis mengumpulkan data program berita siaran dengan durasi Juni hingga Agustus 2021. Tujuh sampel program berita diambil secara acak dari masing-masing stasiun TV, masing-masing menyiarkan 20 hingga 30 cerita. Hasil penelitian menunjukkan video warga terdapat pada aktivitas jurnalisme di stasiun TV Indonesia. Stasiun TV di Indonesia menyiarkan video warga sebagai bagian dari konten program siaran berita. Video warga yang disiarkan dalam program siaran berita berasal dari video yang dikirimkan warga kepada redaksi serta video yang viral di media sosial. Penerapan prinsip jurnalistik dalam konten video warga yang disiarkan di stasiun TV di Indonesia masih belum optimal. Hal ini dapat dilihat dari pelaksanaan fungsi media massa, nilai berita, penilaian berita, aktualitas, faktualitas, serta penerapan etika dan aturan terkait. Studi ini merekomendasikan sinergi antara produsen video warga dan redaksi. Lemahnya video warga dalam menjangkau sumber resmi pemerintah untuk konfirmasi dan verifikasi perlu diantisipasi oleh redaksi yang memiliki kemampuan untuk melakukan itu. Dengan prosedur ini, video warga dapat terhindar dari berita palsu atau hoaks.
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