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<p><em>Peatland restoration projects in tropical countries could prevent environmental disasters such as peat fires. In Indonesia, one of peatland restoration activities is the revitalization of the livelihoods of communities around peatlands. Nevertheless, this activity is still lacking in reducing the environmental pressures from the communities on peatland. We aim to find a comprehensive strategy to design a sustainable bioeconomy on peatlands. This study draws on spatial, qualitative, and quantitative data from the literature, project and policy documents, open-source web application, observations from the field and meetings; and interviews with key stakeholders at national level and three Indonesian provinces. We found that an ecosystem-based special pilot economic zone (SPEZ) is a potential proposal that can provide a framework for a sustainable peatland bioeconomy. We suggests seven phases for planning and implementation of the SPEZ; 1. Preparing its spatial planning to support its legal aspects; 2. Field observation to derive biophysical information of the location and determining peatland suitability; 3. Identifying target group, paludiculture commodities and alternative livelihoods; 4. Analyzing the value chain, market demand and conducting a cost-benefit analysis; 5. Natural capital accounting; 6. Designing social innovation to trigger investment and market chain; and 7. Community engagement. From our study in Riau, South Sumatra, and Central Kalimantan, each of the phase present different challenges and opportunities especially in terms of regulation for land permit, institutional arrangement, market chain for peat products, remuneration of external benefits, and perception and capacity of community for cultivation on peat.</em></p><p><strong><em>Keywords</em></strong><em>: </em><em>L</em><em>ivelihood, peatland, paludiculture, special pilot economic zone, Indonesia. </em></p>

Topeng Sidakarya dance is a masked wali dance originated from the 16th century. A typical old art performance that utilises a mask to express the figure's character. It is believed the art was choreographed after a brief visit of Brahmana Keling, a sage from eastern Java to Bali at the time King Dalem Waturenggong was reigning Gelgel Kingdom. The tour of Brahmana keling to the grand ritual held in the 16th century by king Dalem Waturenggong gave birth to Topeng Sidakarya dance; An art to dedicate Brahmana Keling’s service for Gelgel kingdom. His service had led Bali to reach its prosperous time for an extended period. The dance is recognised by its unique mask characteristics: a white-based colour mask, squinting eyes, black or white moustache, smiling expression and exaggerated overbite teeth. Topeng Sidakarya dance served as a complement of religious rituals based on king Dalem Waturenggong’s decree for the future generation. It is compulsory to perform the sacred art as it carries a symbol that the ceremony has been well-acted, and the organiser would meet their expectation for the ritual.

The Indonesian wildfires in 1997 and 2015, which affected approximately 25-30% of carbon-rich and fire-susceptible peatland in the country, brought negative environmental, humanitarian, and economic impacts. Given that Indonesia has the world's second-largest peatland area, this study analyses the effectiveness of the postdisaster governance of peatland fires from 1982 to 2020. By utilising data from interviews, observations, document reviews, and open-source web apps, this study shows that the country has experienced policy transformation that adapts risk governance principles for peatland management. This transformation affects the effectiveness of the post-disaster governance of peatland wildfires.