NO-DO, the Spanish official newsreel produced by Franco's dictatorship (1939–1975), held a 30-year monopoly over audio-visual information in Spain from 1943 to 1975. This paper reports on an analysis of the coverage of medical technologies by the Spanish Cinematic Newsreel Service, NO-DO, from 1943 to 1970. The study focuses on the changing roles played by cultural representations of medical technologies deployed in NO-DO. Our analysis shows how these representations offered a new space for the legitimization of the regime and, more importantly, played a key role in the attempts to construct and enforce a hegemonic national identity after the Spanish Civil War (1936–1939). During the period of isolationist autocracy that ended in the mid-1950s, the images of medical technologies reinforced the idea of a self-sufficient “national space” and deepened the break with the historical past. Once the international isolation of the regime was overcome in the late 1950s and the 1960s, the representation of medical technologies contributed to establishing a Spanish national identity that mirrored the outside world, the foreign space. Finally, gender representations in NO-DO are also explored.

In this article we explore how the Spanish written press--ABC, La Vanguardia, and Blanco y Negro--and the official newsreel No-Do, created and disseminated a narrative about heart transplantations at the end of the 1960s. We consider how Franco's regime used Christiaan Barnard's heart transplants to legitimize the Spanish dictatorship and as a means of signifying scientific progress, modernization and national pride. The Spanish press created the plot of the first transplantations like that of a television series, presenting daily installments on the patients' progress, dramatizing the stories and ensuring the public's emotional attachment. The three main characters in the story: donors, patients and surgeons, formed a symbolic, indivisible narrative triangle endowed with singular meaning. This Spanish narrative of organ transplant technology was deployed through what we have called "a tale of two countries", that, emulating the South African's success, constructed in Martínez-Bordiú, Franco's son-in-law, a home-grown, masculine scientific personality capable of performing heart surgery and endorsing Franco's investment in scientific modernization.

This paper examines how Spanish techno-scientific discourses and practices shaped metropolitan Spanish and colonial Guinean bodies and identities. It focuses on the range of technologies of biopower--from fingerprinting and blood testing to racial and geographic discourses--that constituted Guinean bodies in ambivalent ways during two periods: the first decades of the 20th century, and the post-Civil War period of the Francoist regime. In the first decades of the 20th century, blood tests were imposed on the local population as a legal requirement for obtaining identity cards in colonial Guinea; the identity cards offered them a severely restricted citizen status, especially if they were female. Indeed, the new blood testing technologies played a key role in efforts to control, reform and identify 'natives', less as subjects than as labouring bodies. During Franco's dictatorship, following the end of the Spanish Civil War (1939), the colonies became a space for the reconstruction of a unified Spanish national identity through two key strategies: 'detribalization' and 'hispanicization', which were carried out through a web of techno-scientific practices--in medicine and psychology as well as geography and anthropology--that included fingerprinting, blood testing, measurements of intelligence and racial discourses. Under the Franco regime, these practices not only justified violent, racist forms of exploitation, but were also used to stake a claim on Guinean colonial territories and bodies by emptying them of their existing identities and then reconstituting them under a single Spanish national identity.

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