When naming certain hand-held, man-made tools, American Sign Language (ASL) signers exhibit either of two iconic strategies: a handling strategy, where the hands show holding or grasping an imagined object in action, or an instrument strategy, where the hands represent the shape or a dimension of the object in a typical action. The same strategies are also observed in the gestures of hearing nonsigners identifying pictures of the same set of tools. In this paper, we compare spontaneously created gestures from hearing nonsigning participants to commonly used lexical signs in ASL. Signers and gesturers were asked to respond to pictures of tools and to video vignettes of actions involving the same tools. Nonsigning gesturers overwhelmingly prefer the handling strategy for both the Picture and Video conditions. Nevertheless, they use more instrument forms when identifying tools in pictures, and more handling forms when identifying actions with tools. We found that ASL signers generally favor the instrument strategy when naming tools, but when describing tools being used by an actor, they are significantly more likely to use more handling forms. The finding that both gesturers and signers are more likely to alternate strategies when the stimuli are pictures or video suggests a common cognitive basis for differentiating objects from actions. Furthermore, the presence of a systematic handling/instrument iconic pattern in a sign language demonstrates that a conventionalized sign language exploits the distinction for grammatical purpose, to distinguish nouns and verbs related to tool use.
Iconicity is an acknowledged property of both gesture and sign language. In contrast to the familiar definition of iconicity as a correspondence between individual forms and their referents, we explore iconicity as a shared property among groups of signs, in what we callpatterned iconicity. In this paper, we focus on iconic strategies used by hearing silent gesturers and by signers of three unrelated sign languages in an elicitation task featuring pictures of hand-held manufactured tools. As in previous gesture literature, we find that silent gesturers largely prefer ahandlingstrategy, though some use aninstrumentstrategy, in which the handshape represents the shape of the tool. There are additional differences in use of handling and instrument strategies for hand-held tools across the different sign languages, suggesting typological differences in iconic patterning. Iconic patterning in each of the three sign languages demonstrates how gestural iconic resources are organized in the grammars of sign languages.
Sign languages make use of paired articulators (the two hands), hence manual signs may be either one- or two-handed. Although two-handedness has previously been regarded a purely formal feature, studies have argued morphologically two-handed forms are associated with some types of inflectional plurality. Moreover, recent studies across sign languages have demonstrated that even lexically two-handed signs share certain semantic properties. In this study, we investigate lexically plural concepts in ten different sign languages, distributed across five sign language families, and demonstrate that such concepts are preferentially represented with two-handed forms, across all the languages in our sample. We argue that this is because the signed modality with its paired articulators enables the languages to iconically represent conceptually plural meanings.
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