‘Oedipus the King’ is an ancient tragic play that tells the story of King Oedipus of Thebes, who lived about a period before the proceedings of the Trojan War. Gradually, this King came to the realization that he had accidentally slaughtered Laius, his father, and married Jocasta, his biological mother. Fate, conflict, and free will (i.e. the inexorableness of oracular prophecies) are the main themes of the text. This paper examines selected stage directions in Oedipus the King, a text written by Sophocles. A purposive sample technique was used in selecting these stage directions. In linguistics, language, and literary criticism, 'referentiality' is usually deployed to describe the connotational and denotational sense of an entity to explicate the association between language and extralinguistic object. So, content analysis design, through referentiality, was deployed in critiquing and exhuming the hidden meanings of the selected stage directions. Thus, the use of the referentiality model coupled with definiteness and indefiniteness facilitated the unearthing of familiarity, identifiability, and uniqueness from the selected extracts. The paper is structured in four thematic areas: the introduction, methods, analysis and discussion, and conclusion.
The development of every nation is highly dependent on the success of the individuals in it. This is but a realization of the adage that the average man if rationally organized, lives by the sweat of his brow. Every individual becomes successful based on the work he/she does. This is to say that the individual's success and the development of a nation are mutually dependent. The African woman’s engagement in prostitution as a livelihood has attracted all forms of dialogue, both in Africa and in the diaspora. The purpose of this study was to analyse how Amma Darko presents prostitution among African women in the Diaspora. To achieve this objective, we used Beyond the Horizon as their primary source of data. We analysed the factors that push women into prostitution in the Diaspora as well as the presentation of the practice of prostitution, as presented by the primary source. The findings of the study affirmed that women who go into prostitution in the diaspora are mostly blackmailed and coerced into it by their male benefactors who take them abroad. The study also revealed that through prostitution, women sex workers get addicted to drugs, and coming out of this trade becomes almost impossible. Based on the analysis, we conclude that the expectations of the families of the sojourning African women remain a strong influence on the women joining the sex industry.
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