Intangible Cultural Heritage is a mainspring of cultural diversity and as such it should be a focal point in cultural heritage preservation and safeguarding endeavours. Nevertheless, although significant progress has been made in digitization technology as regards tangible cultural assets and especially in the area of 3D reconstruction, the e-documentation of intangible cultural heritage has not seen comparable progress. One of the main reasons associated lies in the significant challenges involved in the systematic e-digitisation of intangible cultural assets, such as performing arts. In this paper, we present at a high-level an approach for transforming intangible cultural assets, namely folk dances, into tangible choreographic digital objects. The approach is being implemented in the context of the H2020 European project "Terpsichore". Doulamis A., Voulodimos A., Doulamis N., Soile S. and Lampropoulos A. Transforming Intangible Folkloric Performing Arts into Tangible Choreographic Digital Objects: The Terpsichore Approach.

Abstract. Narrow space surveying and mapping is of high importance for many applications, with the demand for digital 3D models in a low-cost and relatively fast way growing rapidly. This paper examines SLAM-based and image-based mapping systems for indoor mapping and focuses on the comparison of the 3D point clouds acquired from two commercial mapping systems, Leica BLK2GO and Matterport Pro2 3D (MC250). Issues that are addressed include the effect of the mapping trajectory on the produced mapping result, and the amount of mapping propagation error in narrow space surveying. The two systems are experimentally compared against both an ideal geometric target facility and in an example environment of a narrow corridor. Finally, results are given with derived metrics that can be possibly extended to several real applications.

The evolution of the high-quality 3D archaeological representations from niche products to integrated online media has not yet been completed. Digital archives of the field often lack multimodal data interoperability, user interaction and intelligibility. A web-based cultural heritage archive that compensates for these issues is presented in this paper. The multi-resolution 3D models constitute the core of the visualization on top of which supportive documentation data and multimedia content are spatial and logical connected. Our holistic approach focuses on the dynamic manipulation of the 3D scene through the development of advanced navigation mechanisms and information retrieval tools. Users parse the multi-modal content in a geo-referenced way through interactive annotation systems over cultural points of interest and automatic narrative tours. Multiple 3D and 2D viewpoints are enabled in real-time to support data inspection. The implementation exploits front-end programming languages, 3D graphic libraries and visualization frameworks to handle efficiently the asynchronous operations and preserve the initial assets’ accuracy. The choice of Greece’s Meteora, UNESCO world site, as a case study accounts for the platform’s applicability to complex geometries and large-scale historical environments.

ABSTRACT:The complexity of modern urban environments and civil demands for fast, reliable and affordable decision-making requires not only a 3D Land Information System, which tends to replace traditional 2D LIS architectures, but also the need to address the time and scale parameters, that is, the 3D geometry of buildings in various time instances (4 th dimension) at various levels of detail (LoDs -5 th dimension). This paper describes and proposes solutions for technical aspects that need to be addressed for the 5D modelling pipeline. Such solutions include the creation of a 3D model, the application of a selective modelling procedure between various time instances and at various LoDs, enriched with cadastral and other spatial data, and a procedural modelling approach for the representation of the inner parts of the buildings. The methodology is based on automatic change detection algorithms for spatialtemporal analysis of the changes that took place in subsequent time periods, using dense image matching and structure from motion algorithms. The selective modelling approach allows a detailed modelling only for the areas where spatial changes are detected. The procedural modelling techniques use programming languages for the textual semantic description of a building; they require the modeller to describe its part-to-whole relationships. Finally, a 5D viewer is developed, in order to tackle existing limitations that accompany the use of global systems, such as the Google Earth or the Google Maps, as visualization software. An application based on the proposed methodology in an urban area is presented and it provides satisfactory results.

Abstract. The already arduous task of collecting, processing and managing heterogeneous cultural heritage data is getting more intense in terms of indexing, interaction and dissemination. This paper presents the creation of a 4D web-based platform as a centralized data hub, moving beyond advanced photogrammetric techniques for 3D capture and multi-dimensional documentation. Precise metric data, generated by a combination of image-based, range and surveying techniques, are spatially, logically and temporally correlated with cultural and historical resources, in order to form a critical knowledge base for multiple purposes and user types. Unlike conventional information systems, the presented platform, which adopts a relational database model, has the following front-end functionalities: (i) visualization of high-resolution 3D models based on distance dependent Level of Detail (LoD) techniques; (ii) web Augmented Reality; and (iii) interactive access and retrieval services. Information deduced from the developed services is tailored to different target audiences: scientific community, private sector, public sector and general public. The case study site is the UNESCO world heritage site of Meteora, Greece, and particularly, two inaccessible huge rocks, the rock of St. Modestos, known as Modi, and the Alyssos rock.