The only Romani newspaper of interwar Yugoslavia, Romano lil/Ciganske novine (the latter meaning ‘Gypsy newspaper’ in Serbian), was published in Belgrade in 1935 comprising only three monthly issues. The most prominent Yugoslav Romani activist of the time, Svetozar Simić, was the editor of the newspaper, giving tribute to his visions of what Roma should do for the prosperity of their own community. In terms of content, the newspaper articles seem to be strategically thought-out with the aim of creating a narrative about the Roma, as people united by common culture and historical memory, equal to the other people of the Yugoslav Kingdom, who needed to be included in all processes of the social and public sphere. This article looks into the essence of some messages that the newspaper conveys regarding Roma’s social inclusion, such as (1) education and professional training as a key for a better future, (2) the need for Roma to be more engaged and to self-organise as a community and (3) the fight against majority misconceptions about the Gypsies. The article presents and analyses these three elements of Svetozar Simić’s visions for Romani social inclusion as presented in his editorial pieces. The analysis also pays attention to the resemblances between some of the main messages of the Romani activism in the interwar period and the activism for Roma inclusion in later periods, including parallels during the time of Yugoslav Socialism and the period of democratic transition up until today.

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This collective monograph is written and published as a part of the research project RomaInterbellum: Roma Civic Emancipation between the Two World Wars which has received funding from the European Research Council (ERC) under the European Union's Horizon 2020 Research and Innovation Programme (Grant Agreement No. 694656), with Principal Investigator Elena Marushiakova. It reflects only the authors' views and the agency is not responsible for any use that may be made of the information it contains.Apart from the authors, many co-thinkers, colleagues and friends from different countries of Central, South-Eastern and Eastern Europe have supported us directly or indirectly in the preparation and writing of this monograph, too numerous to be listed. Our gratitude goes to all who supported us in our work, and especially to the staff of the

Since the late 1990s and particularly after 2000, Romani literature has been characterized in part by the influence of international and global developments within the Romani movement as well as the growth of digital technologies and the internet. Romani publications are going digital in different formats, including the digitization of public domain materials, e-books, audiobooks, internet publishing and social media publishing. This article discusses how digital technologies have been incorporated in Romani literature production and proposes a typology of the digital forms of Romani literature. It also provides an analysis of the issues and challenges that are observed in Romani digital publishing, some of which are specifically related to this type of publishing, while others apply to Romani literature in general.

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