Cet article mène une réflexion sur l'informatisation des pratiques musicologiques de segmentation et mise en tableau de partitions. Nous proposons un modèle documentaire permettant la conduite d'analyses multimédias (synchronisation), efficaces (maîtrise de la spatialisation des contenus, segmentation, structuration logique et matérielle) et sémantiques (annotations, hyperliens), et présentons un environnement expérimental qui l'instrumente. Nous montrons en quoi la prise en compte du caractère constitutif des opérations, gestes et outils matériels dans l'activité analytique permet d'explorer sous un angle nouveau des questions centrales telles que l'articulation de l'écoute et du visuel dans la validation des résultats, la falsifiabilité et la publication de ceux-ci ou encore l'ergonomie et l'organisation de l'espace de travail.ABSTRACT. This article deals with the use of computers to carry out musicological practices which rely on scores segmentation and charting. We present a document model which allows to conduct complete multimedia (synchronization), efficient (spatial organization control, segmentation, material and logical document structuration) and semantic (annotations, hyperlinks) analysis, and propose an experimental tool. We insist on the founding role of material operations, gestures and items in the analytical activity. This approach aims at addressing score charting practices central questions, like the articulation between auditory and visual validations, the falsifiability and publication of the findings or the working space ergonomy and organization.
The evolution of multimedia document production and diffusion technologies have lead to a significant spread of knowledge in form of pictures and recordings. However, scholarly reading tasks are still principally performed on textual contents. We argue that this is due to a lack of semantic and structured tools: (1) to handle the wide spectrum of interpretive operations involved by the polymorphous intensive reading process; (2) to perform these operations on a heterogeneous multimedia corpus. This firstly calls for identifying fundamental document requirements for such reading practices. Then, we present a flexible model and a software environment which enable the reader to structure, annotate, link, fragment, compare, freely organize and spatially lay out documents, and to prepare the writing of their critical comment. We eventually discuss experiments with humanities scholars, and explore new academic reading practices which take advantage of document engineering principles such as multimedia document structuration, publication or sharing.
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