Four experiments investigate the hypothesis that irrelevant sound interferes with serial recall of auditory items in the same fashion as with visually presented items. In Experiment 1 an acoustically changing sequence of 30 irrelevant utterances was more disruptive than 30 repetitions of the same utterance (the changing-state effect; Jones, Madden, & Miles, 1992) whether the to-be-remembered items were visually or auditorily presented. Experiment 2 showed that two different utterances spoken once (a heterogeneous compound suffix; LeCompte & Watkins, 1995) produced less disruption to serial recall than 15 repetitions of the same sequence. Disruption thus depends on the number of sounds in the irrelevant sequence. In Experiments 3a and 3b the number of different sounds, the "token-set" size (Tremblay & Jones, 1998), in an irrelevant sequence also influenced the magnitude of disruption in both irrelevant sound and compound suffix conditions. The results support the view that the disruption of memory for auditory items, like memory for visually presented items, is dependent on the number of different irrelevant sounds presented and the size of the set from which these sounds are taken. Theoretical implications are discussed.
Event-related potentials (ERPs) were recorded for ignored tones presented during the retention interval of a delayed serial recall task. The mismatch negativity (MMN) and N1 ERP components were measured to discern spatiotemporal and functional properties of their generation. A nine-token sequence with nine different tone pitches was more disruptive than an oddball (two-token) sequence, yet this oddball sequence was no more disruptive than a single repeating tone (one-token). Tones of the nine-token sequence elicited augmented N1 amplitudes compared to identical tones delivered in the one-token sequence, yet deviants elicited an additional component (MMN) with distinct temporal properties and topography. These results suggested that MMN and N1 are separate, functionally distinct components. Implications are discussed for the N1 hypothesis and the changing-state hypothesis of the disruption of serial recall performance by auditory distraction.
This study investigated how increases in the number of different types of sound (token set size) within a heard but ignored sequence influence brain activity and performance in a serial recall task (the irrelevant sound effect). We tested the hypothesis that brain processes affected by the refractory state of the neuronal populations involved in generating the auditory N1 play a role in the memory disruption produced by irrelevant sound. Auditory event-related potentials (ERPs) were recorded when volunteers performed a serial recall task that required remembering lists of visually presented numbers that were followed by a distractor-filled retention interval. The results showed that both increments in set size from 1 to 2 and from 2 to 5 elicited an increase of the N1 amplitude. Furthermore, increases in set size from 2 to 5, but not from 1 to 2, caused a significant decrease of the serial recall performance. This result suggested that, if N1 were to play a role in the disruption produced by irrelevant sound, the processes underlying the N1 wave may only serve as a necessary rather than a sufficient condition for disruption.
Objective
To reduce stimulus transduction artifacts in EEG while using insert earphones.
Design
Reference Equivalent Threshold SPLs (RETSPLs) were assessed for Etymotic ER-4B earphones in fifteen volunteers. Auditory brainstem responses (ABRs) and middle latency responses (MLRs) – as well as long-duration complex ABRs – to click and /dɑ/ speech stimuli were recorded in a single-case design.
Results
Transduction artifacts occurred in raw EEG responses, but they were eliminated by shielding, counter-phasing (averaging across stimuli 180° out of phase) or re-referencing.
Conclusions
Clinical-grade ABRs, MLRs, and cABRs can be recorded with a standard digital EEG system and high-fidelity insert earphones, provided one or more techniques are used to remove the stimulus transduction artifact.
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