This research was written with the aim to determine the lyric structure of the song in the album Cidro Asmoro using the study of Structuralism. The structure in the lyrics of this song consists of physical structure and inner structure. Physical structure is the structure of the builder of a poem that is physical or fit in the form of word order. While the inner structure is the structure of the poet builder from within or contains the meaning that the author wants to express. The research method used to analyze the physical structure and the inner structure uses a qualitative descriptive method. The data used in this study are words, phrases, and sentences in the lyrics of the song Cidro Asmoro that refer to the structure of the builder. The results found in this study is that there is a physical structure in the form of majas, recitation, diction, concrete words and rhyme in the lyrics of songs in the album Cidro Asmoro. Majas or language styles found include majas personification, metaphor, association, allegory and hyperbole. In addition, also found imagery or imagery in the form of imagery of sight, hearing, taste, touch and movement. The inner structure in the lyrics of Cidro Asmoro's album has themes, tastes, tones and messages. Selection of lyrics and words from Cidro Asmoro's album has a unique characteristic to convey the feelings experienced by the author. This feeling can be from love, disappointment, confusion, anger and even enthusiasm. Cidro Asmoro's album contains the story of a man's love struggle who ultimately has to give up his lover with another man.
This research was motivated by the lack of knowledge of researchers about the meaning reflected in the accompaniment of the traditional art of Sintren in Luwijawa Village, Jatinegara District, Tegal Regency. The text of the tembang poem has many reflections in the form of meaning and basic functions, both implied and explicit, that exist so that it creates a certain interpretation of the tembang rhyme. The formulation of the problem in this study is how the meaning and function of the accompaniment of the traditional art of Sintren poetry in Luwijawa Village, Jatinegara District, Tegal Regency are. The purpose of this research is to explain how the meaning and function of the accompaniment of the traditional art of Sintren in Luwijawa Village, Jatinegara District, Tegal Regency. The methodology used in this study used descriptive qualitative research methods. The source of this research data is in the form of an oral text that has been transliterated into a written text of poetry that accompanies the traditional art of Sintren in Luwijawa Village, Jatinegara District, Tegal Regency with research data in the form of words, phrases, clauses, sentences and discourses in it. Data collection techniques used were observation, interviews, recording, recording and translating data derived from the traditional art accompaniment of Sintren poetry. Then the data that has been collected is analyzed using data reduction techniques, data classification, and data presentation. Based on data analysis, the results of the study can be stated that in the text of the song lyrics accompanying the traditional art of Sintren found meaning in the form of meaning and function according to the song lyrics in each part.
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