Tujuan penulisan ini adalah untuk mengetahui proses dan hasil jadi penerapan motif corak insang dengan teknik anyaman pada busana pengantin. Metode yang digunakan adalah Double Diamond  Design Process, yang terdiri dari  4 tahapan yaitu discover, define, develope, deliver. Busana Pengantin dengan penerapan teknik anyaman pada bagian cape. Busana ini terinspirasi dari legenda meriam karbit yang berasal dari Pontianak , Kalimantan Barat. Konsep dari busana pengantin ini terdiri dari two pice yaitu gaun serta cape dengan anyaman untuk pengantin wanita. Sedangkan untuk pengantin pria yaitu setelan jas yang dilengkapi dengan cummerbund dengan anyaman, sebagai pengganti ikat pinggang. Pemilihan desain yang terinspirasi dari badan meriam karbit yang kokoh dan kaku sehingga busana ini yang diwujudkan dengan gaun  siluet I, yang menggunakan bahan ducces. Dilengkapi dengan cape yang menggunakan bahan organza. Untuk pemilihan warna yang diterapkan yaitu abu-abu dan putih. Kombinasi warna yang memberi kesan monokromatik. Hasil jadi busana pengantin ini dibuat dengan konsep bersifat costumize yaitu berdasarkan ukuran tubuh yang dijadikan model. The purpose of this paper is to find out the process and results of the application of gill pattern motifs with woven techniques on bridal clothing. The method used is the Double Diamond Design Process, which consists of 4 stages, namely discover, define, develop, deliver. Bridal dress with the application of the gill pattern technique on the cape. This dress is inspired from the legend of the carbide cannon from Pontianak, West Kalimantan. The concept of this wedding dress consists of two pieces, namely a dress and a cape with woven for the bride. As for the groom, the suit is equipped with a cummerbund with woven, as a substitute for a belt. The choice of design was inspired by the body of a carbide cannon, which is sturdy and rigid, so that this outfit was embodied in a dress with a silhouette I, which uses ducces. Equipped with a cape that uses organza material. For the selection of colors applied, namely gray and white. Color combinations that give a monochromatic impression. The result of this wedding dress is made with the concept of being customized based on the body size that is used as the model.

This study aims to describe the implementation of the D4 Fashion Design curriculum during the COVID-19 pandemic. Curriculum 2018 in semester five, curriculum 2019 in semester 3, curriculum 2020 in semester 1. This type of research is descriptive qualitative. Data was collected through focus group discussions between lecturers, industry, alumni, and stakeholders. Data was also obtained from student learning results in odd semesters, interviews with partner stakeholders. The results show that learning for semester 1 students is still a concept course, learning is carried out online, teachers are a team of lecturers and industry partners. The learning output is a research report. Third-semester student learning is carried out in class and in the industry in the form of a survey. Lecturers are a team of lecturers with industry partners according to the expected course competencies. Learning output produces products. 5th-semester learning is carried out in collaboration with all courses. Lecturers are lecturers and industry partners. The output of learning about fashion design products according to personal themes. Types of evaluation are tests, portfolios, assignment reports, product assessments.

The research aims to review the quality instrument of teaching factory parameters and learning outcomes instruments on fashion industry competence, especially internal consistency (Cronbach's alpha), reliability of retesting (Pearson correlation), and construct validity of existing parameters. Respondents were school principals and teachers involved in teaching factory management in a vocational high school for the Fashion Design skill program that taught factory learning, namely 30 people, while the research sample for testing the learning outcomes instrument was 90 students. Data collection instruments used questionnaires and observation sheets. Data analysis techniques using. Data analysis using Pearson or Product Moment, Cronbach Alpha Intraclass Correlation Coefficients (ICC). The results showed that the teaching factory's Corrected Item Total Correlation parameter was positive and > 0.3, so it was declared valid. Cronbach's alpha value of all dimensions of the teaching factory parameter is greater than 0.6, so that it can be declared to have good reliability. The learning outcome instrument is valid because the Corrected Item Total Correlation is positive and > 0.3, and Cronbach's alpha value is greater than 0.6 so that the learning outcome variable is declared to have good reliability. The measurement of the level of agreement between raters shows an average agreement between raters of 0.832, while for one rater, it is 0.712. The results show the average agreement between raters is 0.894, while for one rater, it is 0.809. The research aims to review the quality instrument of teaching factory parameters and learning outcomes instruments on fashion industry competence, especially internal consistency (Cronbach's alpha), reliability of retesting (Pearson correlation), and construct validity of existing parameters. Respondents were school principals and teachers involved in teaching factory management in a vocational high school for the Fashion Design skill program that taught factory learning, namely 30 people, while the research sample for testing the learning outcomes instrument was 90 students. Data collection instruments used questionnaires and observation sheets. Data analysis techniques using. Data analysis using Pearson or Product Moment, Cronbach Alpha Intraclass Correlation Coefficients (ICC).

Tujuan penulisan ini untuk mengetahui proses pembuatan dan penerapan teknik anyaman dengan kain linen pada busana pesta malam serta mengetahui hasil jadi teknik anyaman dengan kain linen pada busana pesta malam. Proses pembuatan anyaman meliputi dari memotong bahan, melapisi bahan dengan kain vislin agar terlihat kaku dan tidak bertiras, memotong bahan dengan lebar 2,5 cm sehingga menjadi helaian anyaman, mencetak helaian anyaman menjadi lebar 1 cm dengan cara disetrika satu per satu helaian dan dianyam dengan rapat dan rapi. Penerapan teknik anyaman pada busana pesta malam dimulai dari menyiapkan anyaman, menata pola busana diatas anyaman, memotong anyaman sesuai dengan pola busana, memotong kain serong dengan lebar 5 cm untuk digunakan pada tepi anyaman, dan menjahit kain serong pada tepi anyaman yang telah dipotong. Hasil jadi penerapan teknik anyaman pada busana pesta malam wanita menghasilkan busana yang berbentuk siluet S seperti bentuk gerabah. Busana pesta malam wanita ini terdiri dari bagian atas bustier menyerupai bra, bagian torso penuh dengan anyaman dan rok yang berbentuk balon disertai lekapan tali yang menjalar di seluruh permukaan rok balon. Busana pesta ini menunjukkan keindahan tubuh pemakai dengan siluet badan yang pas dari pinggang hingga panggul yang terlihat jelas seperti bentuk siluet gerabah yang indah. The purpose of this paper is to determine the process of making and applying woven linen fabric techniques and find out the results of the eveningwear. The method is including an exploration of ideas about earthenware and designing. The process of weaving includes cutting the fabric, covering the fabric with a facing to make it look stiff, cutting the fabric of 2.5 cm so that it becomes a woven strand, making the woven into 1 cm by being ironed one by one and woven with tight and neat. Weaving techniques to evening wear start from preparing the weaving, arranging the pattern on the weaving, and cutting the weaving according to the pattern. The results of the application of weaving techniques to women’s eveningwear producing S-silhouette as earthenware shape. This eveningwear consists of a bustier on the upper part, and a torso section is full of weaving, and the skirt is accompanied by a hollow rope that runs across the entire surface. This eveningwear shows the beauty of the wearer's body with a body silhouette that fits from the waist to the hip that is visible as a beautiful earthenware silhouette.

Korset adalah pakaian yang dikenakan untuk menahan dan melatih tubuh menjadi bentuk yang diinginkan dengan tujuan estetika atau medis. Saat ini, korset tidak hanya dipakai sebagai pakaian dalam saja namun dapat dimodifikasi dengan desain tertentu dan dipadupadankan dengan busana pesta. Butik Alben Ayub Andal merupakan salah satu industri fashion yang memiliki koleksi busana pesta. Salah satu model busana pesta yang dikoleksinya yaitu corset dress. Corset dress ini menggunakan korset instan dan teknik tertentu dalam proses modifikasinya. Inovasi ini menjadikan pembuatan corset dress menjadi sedikit lebih singkat dalam pengerjaanya. Tujuan penulisan ini dimaksudkan untuk mengetahui dan mempelajari teknik pembuatan corset dress, mengetahui proses pembuatan corset dress dengan baik dan benar serta mengetahui hasil jadi pembuatan corset dress menggunakan teknik yang diterapkan di Butik Alben Ayub Andal. Pembahasan  karya dimulai dari pembuatan desain, perencanaan warna dan bahan, memodifikasi corset, proses pembuatan dress serta pengaplikasian brocade pada busana. Hasil jadi corset dress yaitu dipadupadankan menggunakan aplikasi brocade supaya penampilan korset lebih fashionable. Aplikasi brocade dipasangkan dengan menata sesuai desain, tampat pada bagian muka dan belakang penataan aplikasi terlihat 3 dimensi. The purpose of this study are (1) to know the process of making a corset dress, and (2) to know the result of a corset dress in Alben Ayub Andal. This corset dress uses instant corsets and draping techniques in the manufacturing process. The process of making this corset dress goes through several stages, starting with the making of the design, determining the material, changing or modifying the instant corset, draping the whole outfit, sewing the dress, applying brocade and lace and finishing. The corset used is a standard size M with a zipper on the front. The resulting corset dress is in accordance with the design plan, which has an L silhouette, and gives a feminine impression with the use of brocade materials and designs that follow the body shape. The resulting corset dress is customized, which is based on one body size that is used as a model. The use of instant corsets and the application of draping techniques is one of the innovations at the Alben Ayub Andal boutique, which combines the technology of making evening dresses and the art of designing directly on a dressform and applying decoration. Designing is carried out simultaneously through structural design as well as decorative designs.