e influence of the Internet can be felt in all aspects of our lives – people live online, read online, getinformed and even get married online. Online communication has become our main source of exchanging ideas, getting information and even broadening our personal vocabulary. The language of the Internet has started being used on a daily basis, notwithstanding the age, status and occupation of the people involved in this kind of communication. In fact, the ones that appear to be most influenced by the Internet language are the younger generation. Not surprisingly, their imagination can becompared to a deep well abounding in new words and phrases that they automatically adopt in their everyday conversations using various Internet platforms. Even before youngsters can speak English, they start using certain phrases so as to sound cool and attractive, thus receiving more attention. And since the language on the Internet is a language of active communication, the hereby presented paper deals with the coinage of a new group of verbs in Bulgarian and Russian which have entered the youth slang, namely verbs such as хейтвам, лайквам, фейсбуквам (Bulgarian) ; апгрейдить, блинковать, юзать (Russian). Their appearance is influenced by the Internet and social media, which have proven to be a constant part of the life of teenagers, as well as English, which is the language of the Internet. What is investigated are the reasons for the coinage of this group of neologisms in both languages of interest, their word-formative patterns, and the peculiarities in their usage in Bulgarian and Russian.

Nominative symbolism in fantasy is a tool to attribute certain traits to literary characters and thus to convey meaning which enriches the readers’ comprehension of the fictitious personality. Proper names in the English naming tradition are not generally seen as means of alluding to the character of a person, yet they have sometimes been chosen purposefully by writers so as to reveal the idea that a symbolic name tries to convey. The paper therefore aims at investigating the origin and author’s intended meaning behind the names of some recurrent literary characters in Terry Pratchett’s Discworld series from the viewpoint of their structure and the allusions they evoke in the reader’s imagination. The analysis includes five names presenting three different structures: neologisms based on syntactic composition, imitations of borrowed structures that are foreign to the English model of naming, and typical English naming models where name symbolism is due to the lexical choice of the components in the name.

Name crafting has been and still is of importance when devising a literary character with certain traits and features that are meant to outstand a character’s personality. Thus, literary names serve as a handy tool in any piece of writing, since they complete their bearers in a discrete, yet a vivid way when given an appropriate name by the author of a piece of writing. As far as fantasy is concerned, the choice of literary names is freer, but still requires more creativity, given the fact that fantasy names can be translated. When rendered from one language into another, names undergo various structural alterations, semantic modulations, or even syntactic reconstructions. Therefore, the current paper aims at analysing literary names in Terry Pratchett’s fantasy novel “Wyrd Sisters” with focus on their rendering into Bulgarian. Etymology and semantic interpretations are to be sought for as well as morphological and syntactic structure of names in both languages of interest in favour of the hypothesis that literary names carry meaning which, when revealed, gives a more concrete idea of a personage in a novel.

No abstract