In the conditions of cultural diversity, which is an undeniable advantage for Russia, a contextual and comparative-correlative study of Russian and national literatures (in particular, Tatar) is becoming the most productive approach to the study of literature at the University in the aspect of the dialogue of cultures (foreign literature as well). This involves the assimilation of spiritual and moral values of both your own native literature throughout its development, and other cultural worlds and civilizations on the basis of the principle of continuity and the change of certain literary traditions by others.Formation of professional qualities of the future teacher of Russian and Tatar literatures in the classical University is effective with the observance of general didactic principles, as well as specific methods and techniques which result from the specific character of teaching literature in the multilingual environment: contextual approach in teaching historical and literary subjects, interdisciplinary integration, work with translations of the works of Russian writers into the Tatar language and the works of Tatar writers into the Russian language, comparative-correlative analysis of literary texts, lecture-conversation, lecturediscussion, the resolution of the difficult situation (case-study, work in small groups, role play (dramatization), multimedia presentations, extramural excursions, etc.).

The study of the specifics of the manifestation of national and cultural codes in the literatures of the peoples of Russia, in particular, in the work of modern Tatar poets, is of great scientific and practical interest for researchers. The article presents the result of a systematic and complex analysis of the work of modern Tatar poets Renat Haris (1941) and Ravil Fayzullin (1943) in the aspect of revealing the originality of the artistic embodiment of national cultural codes. The object of the research is the poems of Renat Haris and Ravil Fayzullin. The subject of the research is the artistic embodiment of national and cultural codes in the works of Renat Haris and Ravil Fayzullin through the analysis of symbolic images, universals, allusions and genres, features of color and light images. The leading research method is a systematic approach, which allows applying historical-functional, historicalgenetic, comparative-typological and historical-functional methods to the study of the work of modern Tatar poets. The article is dominated by an interdisciplinary approach that makes it possible to adequately determine the current state of Tatar literature and literary criticism in the context of the cultures of the peoples of Russia, near and far abroad. The Tatar national picture of the world also includes musical images such as kurai, accordion, etc., in relation to Tatar poetry and music, the concept of “mon” is often used, which is difficult to translate into other languages, in this regard, an analysis of the works of Renat Haris and Ravil Fayzullin allows us to reveal the problem of “untranslatable” in Tatar literature. The work of the studied poets reflects the Tatar national picture of the world, reveals its main components: the image of the motherland and native land, concern for the fate of the Tatar language, literature and culture in the era of globalization. Poets dedicate their poems to the description of national holidays (Sabantuy), traditional symbols of the Tatar people (images of a white leopard (ak leopard), horse, white towel, etc.), spiritual and moral values and the history of the Tatar people are described in their poems.