The Handbook of Speech Perception
DOI: 10.1002/9780470757024.ch8
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Acoustic Cues to the Perception of Segmental Phonemes

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Cited by 35 publications
(26 citation statements)
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“…Distinctive phonological features such as [6back] are traditionally defined in terms of their articulatory consequences (Halle, 1992). The phonetic cues that give rise to their perception have also been described in terms of articulatory categories (Liberman and Mattingly, 1985) or in terms of specific combinations of acoustic signal properties (Jacobson, Fant, and Halle, 1952; for reviews of the field, see Raphael, 2005;Stevens, 2005;Clements and Hallé, 2010).…”
Section: B Methodological Problems With Speech Stimuli In Mmn Experimentioning
confidence: 99%
“…Distinctive phonological features such as [6back] are traditionally defined in terms of their articulatory consequences (Halle, 1992). The phonetic cues that give rise to their perception have also been described in terms of articulatory categories (Liberman and Mattingly, 1985) or in terms of specific combinations of acoustic signal properties (Jacobson, Fant, and Halle, 1952; for reviews of the field, see Raphael, 2005;Stevens, 2005;Clements and Hallé, 2010).…”
Section: B Methodological Problems With Speech Stimuli In Mmn Experimentioning
confidence: 99%
“…This confound is not easily avoided. Most of the acoustic properties associated with phonetic categorization are in fact relatively brief (on the order of tens to hundreds of milliseconds), and typically involve rapid spectral changes (Raphael, 2005). In contrast, those associated with talker identity typically involve much longer-term variability, and often unfold completely only over the course of much longer utterances (Kreiman, Van Lancker-Sidtis, & Gerratt, 2005).…”
Section: Introductionmentioning
confidence: 99%
“…If simple source features mapped in a relatively straightforward manner to sound, the basis for listener perception of the speech features would have been easy to identify. One hallmark of more than half a century of speech research, however, has been the failure to identify invariant acoustic cues for features of production (see, e.g., Raphael, 2005). Rejecting the possibility of a complex mapping between source and sound, speech perception is often assumed to involve some form of a highly specialized, closed module (e.g., Liberman & Mattingly, 1985), possibly one initially shaped by early experience (e.g., Werker & Tees, 1999).…”
mentioning
confidence: 99%