2000
DOI: 10.1080/14613800050004431
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An Analysis of Gender in a Spanish Music Textbook

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Cited by 14 publications
(27 citation statements)
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“…We performed a content analysis of each illustration following a coding scheme constructed by the research team according to guidelines from previous studies analysing ME textbooks (Digon-Regueiro, 2000; Koza, 1994; Kruse et al, 2015). Once the categories and indicators were defined, the coding scheme underwent peer review by two experts in ME teaching and was revised based on their feedback.…”
Section: Methodsmentioning
confidence: 99%
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“…We performed a content analysis of each illustration following a coding scheme constructed by the research team according to guidelines from previous studies analysing ME textbooks (Digon-Regueiro, 2000; Koza, 1994; Kruse et al, 2015). Once the categories and indicators were defined, the coding scheme underwent peer review by two experts in ME teaching and was revised based on their feedback.…”
Section: Methodsmentioning
confidence: 99%
“…On the other hand, Kruse, Giebelhausen, Shouldice, and Ramsey (2015) found in a sample of the Music Educators Journal that women were under-represented, and men were portrayed in activities that implied authority as music conductors or named persons. In Spain, Digon-Regueiro (2000) found that in one secondary ME textbook, women musicians were under-represented, and when they did appear it was in a stereotypical manner. For instance, the author found that a larger proportion of men are represented as professional musicians.…”
Section: Introductionmentioning
confidence: 99%
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“…Much research has focused on gender-stereotyped representations or gender bias. Such research is carried out in several fields such as history (Osler, 1994), music (Regueiro, 2000), STEM (Witherspoon & Schunn, 2020), health (Shin et al, 2015), and language (Rifkin, 1998). Other science research has also explored certain ethnic representations in a mathematical (Powell & Garcia, 1985) and language context (Yang, 2016).…”
Section: Gender Neutrality In the Textbooksmentioning
confidence: 99%
“…Long-standing philosophical and psychological beliefs have led Western music educators to define creativity as the production of new objects, primarily through composition and sometimes improvisation (e.g. Webster, 1992;Campbell & Scott-Kassner, 1995;Durrant & Welch, 1995;Pitts & Davidson, 2000;Regueiro, 2000;Hickey, 2001Hickey, , 2002Pogonowski, 2001;Burns, 2002;Merrill, 2002;Priest, 2002;Kostka, 2004). However, Walker (2000) wrote that by 'removing music from its social origins and elevating it to a 'pure art .…”
Section: U L T U R a L F A C T O R Smentioning
confidence: 99%