“…Long-standing philosophical and psychological beliefs have led Western music educators to define creativity as the production of new objects, primarily through composition and sometimes improvisation (e.g. Webster, 1992;Campbell & Scott-Kassner, 1995;Durrant & Welch, 1995;Pitts & Davidson, 2000;Regueiro, 2000;Hickey, 2001Hickey, , 2002Pogonowski, 2001;Burns, 2002;Merrill, 2002;Priest, 2002;Kostka, 2004). However, Walker (2000) wrote that by 'removing music from its social origins and elevating it to a 'pure art .…”