1984
DOI: 10.4148/2334-4415.1151
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Characters in Bakhtin's Theory

Abstract: A common focus in many modern theories of literature is a reassessment of the traditional view of the character in a narrative text. The position that this article defends is that a revised conception is necessary for an understanding of the means by which dialogism is said to function in novelistic discourse. Revising the notion does not, however, involve discarding it outright as recent theories of the subject would have us do. Nor can we simply void it of all "psychological" content as suggested by many str… Show more

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Cited by 3 publications
(2 citation statements)
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“…It is therefore important to clarify Bakhtin's conception of character, because “it occupies an essential place in his overall theory of novelistic discourse” (Wall, 1984: 42). Different genres give form to different ideologies, and present different sets of social relationships.…”
Section: The Chronotope and Stereotype In Sociolinguisticsmentioning
confidence: 99%
“…It is therefore important to clarify Bakhtin's conception of character, because “it occupies an essential place in his overall theory of novelistic discourse” (Wall, 1984: 42). Different genres give form to different ideologies, and present different sets of social relationships.…”
Section: The Chronotope and Stereotype In Sociolinguisticsmentioning
confidence: 99%
“…The realistic novel is ‘heteroglossic’ because it provides an ‘orchestration of multiple social voices within an artistic unity’ (Bakhtin 1994:19). Heteroglossia enters through the characters’ discourse, which is a ‘polyphonic conveyor of otherness’ and a ‘product of unfinishedness’ (Wall 1984:45). Thus, while the hero or anti-hero of the epic tale is reliably static and fixed, the hero of the bildungsroman is fluid and malleable and shaped by time and space.…”
Section: The Chronotope and Other Literary Devicesmentioning
confidence: 99%