Coco and the Case of the Disappearing Spanglish

Attig, Remy

doi:10.4324/9781315142333-9

Cited by 3 publications

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“…Di ranah penelitian terindeks scopus, ditemukan satu penelitian terkait campur kode dalam film, yakni penelitian (Attig, 2019). Sumber data yang diteliti adalah film animasi Coco (2017) versi Bahasa Inggris dan Bahasa Spanyol.…”

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Teknik Penerjemahan Tuturan Alih Kode dan Campur Kode dalam Film Aruna dan Lidahnya (2018)

Bawarti

Herwandar

2023

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This research is a translation-studies one discussing translation techniques used in Indonesian subtitle for English utterances and Indonesian utterances consisting English either words or expressions in the dialog of Aruna dan Lidahnya (2018) film. Analysis is done for utterances consisting code-switching and code-mixing. Methods used are descriptive-qualitative and library ones. Data are collected with content-analysis technique. Source text (ST) data are classified using code-switching and code-mixing classification. Target text (TT) data are classified using translation techniques by Molina and Albir (2002). Out of 72 data of bilingualism in use, 61.6% are code-mixing while 38.9% are code switching. Yet out of 37 utterances translated into Indonesian subtitle, 54.05% are code-switching while 45.95% are code-mixing. Out of 18 translation techniques proposed by Molina and Albir (2002), only 11 techniques used. Established equivalent is the most frequent techniques used, i.e. 23,1% out of 39 data in TT. The result also shows that all 11 translation techniques used are fit with the principle of subtitling according to Ho (2015). Keywords – translation, subtitle, code switching, code mixing, film Indonesia

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Section: Pendahuluanunclassified

Teknik Penerjemahan Tuturan Alih Kode dan Campur Kode dalam Film Aruna dan Lidahnya (2018)

Bawarti

Herwandar

2023

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La traducción de lo queer del espanglish en contextos audivisuales

Attig

2023

Mutatis Mutandis

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A lo largo de la última década, se observó un incremento de la representación audiovisual de las comunidades latinas en Estados Unidos. Más recientemente, una cantidad sin precedentes de espanglish —o bilingüismo radical español-inglés— se ha convertido en elemento importante de dicha representación. Dado el giro transnacional del mercadeo y la distribución de plataformas audiovisuales, como Netflix, gran parte de ese contenido se ha doblado y subtitulado para audiencias hispanohablantes. En ese contexto, este artículo atiende un triple objetivo. Primero, posiciona el espanglish como una práctica translingüística de la comunidad queer que puede atente a fines muy claros en los textos. Esto rompe con la academia existente en traducción que ha tendido a ver el espanglish como una especie de habla con acento notorio que en su mayor parte da color al personaje. Segundo, es el primer estudio longitudinal que considera la forma como se han traducido al español las fuentes audiovisuales en espanglish. Los estudios de caso analizados en el presente artículo incluyen la película Coco, de Disney/Pixar, las comedias One Day at a Time y Gentefied, de Netflix, y el drama Vida, de Starz. Para terminar, el artículo busca ampliar el texto de Démont “On three modes of translating queer literary texts” (Sobre tres maneras de traducir textos literarios queer, publicado en 2018), indicando que sus “maneras” pueden ayudarnos a entender las prácticas traductivas que afectan a una variedad de comunidades minorizadas.

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Transnational Translation: Reflections on Translating from Judeo-Spanish and Spanglish

Attig

2020

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Judeo-Spanish and Spanglish are language varieties of minoritized com munities at the geographic and cultural edges of the Spanish-speaking world. Literature is being published in both varieties as a way of carving out a space for the speakers of these varieties in societies (the US and Israel for the most part) that value linguistic homogeneity as a national unifying force. This paper grapples with two challenges that emerge when translating literature motivated by such political motivations into English: 1) translating hybridity and 2) orality. It then goes on to explore a few strategies that I have applied to some translations in an effort to address these challenges. The readers of American English translations have been taught to believe in nation-based cat egorizations of identity that, while they may be useful in many cases, do not accurately describe the "hybrid" contexts whence these source texts emerged. Similarly, orality is ever-present in language varieties that have been rarely written. Recognizing that a translation strategy for such literature must strive to respond to the cultural realities of both the source and target culture, this paper proposes two strategies that attempt to bring this hybridity and orality to an English reader.

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Coco and the Case of the Disappearing Spanglish

Cited by 3 publications

References 0 publications

Teknik Penerjemahan Tuturan Alih Kode dan Campur Kode dalam Film Aruna dan Lidahnya (2018)

Teknik Penerjemahan Tuturan Alih Kode dan Campur Kode dalam Film Aruna dan Lidahnya (2018)

La traducción de lo queer del espanglish en contextos audivisuales

Transnational Translation: Reflections on Translating from Judeo-Spanish and Spanglish

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