Construction of Visual Features of Indonesian Digital Poetry

Abstract

In short time, Indonesian digital poetry attracts its audience through a series of visualization features of the digital art. This research uses a short segment analysis on Indonesian videography digital poetry to demonstrate the existence of visual conglomeration practices through the creation of objects, features, a feature of space, measuring distance in feature space, and dimension reduction. These five approaches are proposed by Manovich (2014) in grouping millions of visual artworks based on simple criteria. Of the three common objects are found, Indonesian animators, prefer individuals and texts as the main impression. The movement features are found in cinematic poetry and its rely depend on kinetic texts. Meanwhile, non-movement features can be found in the form of human imitation or part of them, portraits, silhouettes, and comics. Indonesian digital poetry of space features in form of textual space is prioritizing on the kinetics text, the space of time is prioritizing the presentation of objects association of words are spoken, the neutral space is prioritizing the use of computer technology application. The grouping of visual art composition is based on two criteria: the technique of creating and artistic impressions. The dimensional reducing is prominently practiced by Afrizal Malna.

Author's cinematograph of new Hollywood

“…Before the 19-20th century art met the class requirements, but with the massification of society all institutions responsible for preserving the elite segment of art are being separated (Peng, 2021). Independent filmmakers create original and unique films that vividly reflect the personality of the director, his vision of the world, visualise his author's fantasies and illusions (Mahyudi et al, 2017;Eshonkulov, 2021). Such films, as a rule, are not perceived by all viewers.…”

Cybercrime and subculture of cybercriminals

“…Knowing the existence of state control over the Internet in China, we can assume that the attack was sanctioned by the state. The use of cyberattacks for political purposes can be considered the beginning of the fourth stage in the development of cybercrime (Mahyudi et al, 2017;Widana et al, 2020).…”

Reflection of the national vision of the world in phraseological units

“…The translator should know in depth the essence of the phraseological units in their paramies, which reflect the life, character, lifestyle, culture, customs of the people described in the translation process, as well as in what situations and in what sense they are used. If the translator the phraseological unit given in the original text is a wrong or wrong hand in the translation language, which leads to a decrease in the emotional-expressiveness of the translation and the irradiation of the National color (Mahyudi et al, 2017;Vysotki et al, 2021). As a result, in the minds of the book, there are situations such as the fragility of the imagination about the national picture of the olam, the occurrence of a state of cognitive dissonance in the receptor, as well as the weakening of pragmatic sensitivity.…”