2000
DOI: 10.1089/109493100316238
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Experience Design

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Cited by 57 publications
(43 citation statements)
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“…Kellert et al indicate that the sense of gratification within a building is "an experience of architectural pleasure that resonated as both new and unfathomably familiar" [9]. The ambition of experience design is to orchestrate human experiences with functionality, purposefulness, engagement, stimulation and memory [10]. Experience design applied to the built environment may bring up potentials to improve the understanding of association between residents and their physical settings.…”
Section: Introductionmentioning
confidence: 99%
“…Kellert et al indicate that the sense of gratification within a building is "an experience of architectural pleasure that resonated as both new and unfathomably familiar" [9]. The ambition of experience design is to orchestrate human experiences with functionality, purposefulness, engagement, stimulation and memory [10]. Experience design applied to the built environment may bring up potentials to improve the understanding of association between residents and their physical settings.…”
Section: Introductionmentioning
confidence: 99%
“…Thus, it was in 2000 when the digital storytelling appeared as a research topic in an international journal. In the initial research related to digital storytelling, McLellan (2000) explored how drama, digital storytelling, and so on were used in the design of online learning experience, while Harris (2000) focused on the development of new media such as e-mail and digital stories when studying the mutual fusion in the transition period of the printed and electronic media. …”
Section: The Number Of Articles Published In Digital Storytelling In mentioning
confidence: 99%
“…No âmbito do design, para Mclellan (2000), o foco nas experiências começa a figurar de forma mais contundente em projetos realizados a partir dos anos 1990, com a emergência da "economia da experiência". Nos períodos anteriores, as abordagens refletiam produtos ou serviços primordialmente voltados para as suas características estruturais (forma e função) como, por exemplo, os relógios, que durante muito tempo, para Cardoso (2012) foram tratados como objetos limitados a sua função de uso, sendo hoje convertidos em elementos de moda customizados que tentam satisfazer os desejos individuais dos consumidores, revelando assim uma preocupação sobre experiência de uso e respostas emocionais dos usuários tão determinantes quanto à preocupação com materiais e processos de fabricação.…”
Section: A Experiência Do Usuáriounclassified