Exploration of Batik Lukis Motifs as a Medium of Art Communication in Pahang

Ramli, Sharulnizam; Rani, Mohd Khairul Azahari Abdul; Zamari, Zarlina Mohd

doi:10.17576/jkmjc-2017-3301-12

Cited by 2 publications

(4 citation statements)

References 3 publications

Supporting

Mentioning

Contrasting

Order By: Relevance

“…These motifs have their own particular meaning, a certain symbol, message, or hope to be delivered from the pattern of Sasirangan. Research by Ramli et al (2017) showed the motif of a traditional representing images or symbols of plants and the surrounding environment. Traditional fabrics also have various aesthetic values and the meaning of each pattern created (Vivithkeyoonvong et al, 2021;Akhir et al, 2017).…”

Section: Table 2 Sasirangan Motifsmentioning

confidence: 99%

“…The distribution system contains the order of ways that must be taken to distribute goods and services to consumers. For the distribution process to run smoothly, distributors must pay attention to various conditions from the producer and consumer sides (Abbas et al, 2019;Abbas & Rajiani, 2017;Bačík et al, 2019;Ramli et al, 2017).…”

Section: Patternmentioning

confidence: 99%

“…Evolution in the traditional fabric industry will bring various innovations in terms of production processes to distribution methods. The results of empirical analysis on traditional fabric research in Malaysia also showed that only product innovation has a significant effect on company performance (Akhir et al, 2018;Ramli et al, 2017). Therefore, it can be said that the number of requests from consumers strongly influences the size of the distribution of Sasirangan fabric.…”

Section: Research Implicationmentioning

confidence: 99%

See 2 more Smart Citations

The traditional clothing industry of Banjarmasin Sasirangan: A portrait of a local business becoming an industry

Jumriani

Syaharuddin

Abbas

et al. 2021

JSeD

View full text Add to dashboard Cite

Sasirangan is a traditional fabric typical of the Banjar tribal community and has now been developed into an industrial product in Banjarmasin. Sasirangan's business development shows a significant development and it becomes very essential to pay attention to how to maintain its business. This article aims to describe the business operations and distribution patterns in the Sasirangan clothing industry. The qualitative approach was used in this study coupled with data collection through interviews, observations, and documentation. The results showed that Sasirangan fabric products are produced by artisans who work individually or in groups and marketed by traders. Marketing of Sasirangan cloth products uses a direct distribution pattern to consumers, and indirectly uses a merchant intermediary who then resell them to consumers. The collaboration of Sasirangan artisan and traders can be further enhanced to develop a convection industry based on local culture. The findings of this study provide a further description of how local culture-based businesses require support from the government and other parties to maintain business sustainability.JEL Classification J24; M31; O14

show abstract

Section: Table 2 Sasirangan Motifsmentioning

confidence: 99%

Section: Patternmentioning

confidence: 99%

Section: Research Implicationmentioning

confidence: 99%

See 1 more Smart Citation

The traditional clothing industry of Banjarmasin Sasirangan: A portrait of a local business becoming an industry

Jumriani

Syaharuddin

Abbas

et al. 2021

JSeD

View full text Add to dashboard Cite

show abstract

“…This means the motif of the woodcarving is similar to the traditional motif of block batik. In addition, the inspiration for motif batik making usually associates with nature where they attempt to immortalize God"s beautiful creation in their masterpieces [13]. Thus, the reason most of the researchers focus on the main motif, flora, fauna, and geometry [14].…”

Section: Literature Reviewmentioning

confidence: 99%

The Sustainability's Motif and Design of Fauna in Malay Block Batik

Kari¹,

Samin²,

Legino³

2019

Proceedings of the International Conference on Social Sciences, Humanities, Economics and Law

View full text Add to dashboard Cite

This study is about the traditional fauna motif, which is an identity within Malaysian blocks batik. In addition, the history of the traditional block can be traced in Kelantan and was introduced in the 1912s. Later, in the 1930s, this technique was spread to Terengganu. Currently, with the globalization and modernization, the traditional motif is less publicized. Thus, the identity of block batik is less dominant. Therefore, this study aims to classify the various types of local block motifs and designs based on their features using suitable methodology. Comprehensive literature was conducted, and a typology was chosen to analyze the fauna image of the traditional block batik motif. Through the analysis, the traditional and modern motif of fauna group was organized and recognized. The outcome of this blueprint can be used to propose guidelines in designing motif and design of block batik based on the local Malaysian identity. The purpose of this study is to deliver precise clarification and portray the traditional identity of this textile. There is a need for the block batik motifs to have a traditional identity in the future design through the creation of guidelines to maintain local identity. Overall, batik manufacturers, policymakers, other researchers and universities can adopt the standard as a reference in the future for the sustainability of traditional batik motifs.

show abstract

Exploration of Batik Lukis Motifs as a Medium of Art Communication in Pahang

Cited by 2 publications

References 3 publications

The traditional clothing industry of Banjarmasin Sasirangan: A portrait of a local business becoming an industry

The traditional clothing industry of Banjarmasin Sasirangan: A portrait of a local business becoming an industry

The Sustainability's Motif and Design of Fauna in Malay Block Batik

Contact Info

Product

Resources

About