Gaya Bernyanyi dengan Teknik Bel Canto: (Re)Konstruksi Subjektivitas Penyanyi Perempuan dalam Pertunjukan Musik

Abstract

Bel Canto Singing Technique. This article attempting to understand the subjectivity of a woman singer in musicperformance. The poststructuralist feminist perspective is used to focus on the historical and cultural backgroundof the woman’s experiences. Based on the perspective, the research questions refer to: 1) the application of womansinger’s knowledge and cultural perception in songs reproduction so that she can (re)construct her subjectivity; and2) the intention of woman singer to use Western classical music or seriosa in music performance. The life historymethod is used to understand all the subjective experiences of woman singer based on her perspective. The fi ndingsof this research are: 1) subjectivity (re)construction of a woman singer is depend on her knowledge and culturalperception so that her subjectivity is differ from others; and 2) the difference that a woman singer do in musicperformance is related to her intention, i.e. to struggle a music genre that she loves since in the early of her life.

Pengaruh Nyanyian Buku Ende terhadap Kualitas Bernyanyi Jemaat Gereja HKBP Yogyakarta

“…Ketika seseorang bernyanyi, dia akan menceritakan isi lagu yang akan dinyanyikan dengan sebuah ekspresi yang tersirat dalam pancaran mata, gerakan tubuh dan juga dinamik pada lagu tersebut. Untuk merekonstruksi sebuah nyanyian sangat tergantung pada luasnya pengetahuan dan beragam pengalaman praktik pelakunya (Gustina, Haryono, Simatupang, & Bramantyo, 2010). Interpretasi lagu juga diartikan proses berpikir yang terjadi pada manusia yang disebabkan karena mendengarkan sebuah karya musik (Setiarini, Prasetyo, & Suryati, 2016).…”