“…To round off this critical rereading of the classics of the French school of the communications and culture economy, I cannot leave out the important article that Flichy published in 1984, in partnership with Paul Beaud & Monique Sauvage, "Television as a Cultural Industry" (Beaud et al, 1984). Picking up the distinction between cultural goods and flot, the authors draw attention to the importance of the role of programme scheduling.…”