Hibriditas Medium pada Film Opera Jawa Karya Garin Nugroho sebagai Sebuah Dekonstruksi

Belasunda, Riksa; Saidi, Acep Iwan; Sudjudi, Iman

doi:10.5614/itbj.vad.2014.6.2.3

Cited by 6 publications

(6 citation statements)

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“…The same case was conducted by Belasunda, stating that the movie texts have been studied with the deconstructive approach, which expresses the ideas, concepts, idioms, aesthetics, and parodies. The Javanese opera film can reflect the issues on feminism and gender, which are reflected with the domination of masculinity, power, class clashes, and capitalism (Belasunda, Saidi, and Sudjudi 2014). In line with that, Munarti emphasized that the concept of deconstruction can see the aesthetics and the meaning of a shift in the form and structure of tones in Gamat music in the society.…”

Section: Literature Review Deconstructionmentioning

confidence: 89%

The Meaning of Hijrah among Niqobers in Social Media

Yurisa

Muassomah

Abdullah

2020

j. of soc. sci. and relig.

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Hijrah conception has experienced a shift of meaning between its concept in the Prophet's era and today. Hijrah is often associated with the use of niqob and radicalism. By wearing niqob as a means of hijrah, someone does not merely modify her fashion, but also her behavior. There is also an assumption that those who are not wearing niqob have yet to hijrah. This research aims to ﬁnd out the concept of hijrah for women with niqob, including the background and the inﬂuence of the concept of hijrah on their religiosity. This study employs a descriptive qualitative research method. The data were collected from chats in a Niqober group, in which a discussion on hijrah was conducted. The conversations were captured, selected, sorted, classiﬁed, and displayed in tables. Then, the data were analyzed descriptively and iteratively. The results of this study indicate that today, hijrah has three concepts: a change in circumstance, a change in behavior, and a change in fashion. Wearing a niqob, as a form of hijrah, is inﬂuenced by some factors, such as the factors of partner, family, and environment. The concept of hijrah for Niqobers inﬂuences the meaning in religion. First, hijrah is symbolized with the use of niqob. Second, a woman who does hijrah by wearing niqob is considered to be radical. Third, hijrah using niqob means following the Arabic culture. This study suggests conducting an education related to the concept of hijrah that are believed by the Niqobers. To use niqob does not only mean hijrah, but also it is the Prophet's sunnah, and it is not obligated. Therefore, it cannot be assumed that women who do not wear niqob have yet to commit hijrah.

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Section: Literature Review Deconstructionmentioning

confidence: 89%

The Meaning of Hijrah among Niqobers in Social Media

Yurisa

Muassomah

Abdullah

2020

j. of soc. sci. and relig.

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“…Intersemiotic potentially opens up a space for creative transposition, the transmutation of cultural codes in the image in the image of the film in layers deeper philosophical study. [14] . In 'Setan Jawa' Film, the message and the meaning is read through the visual elements of the subtitles that are constructed by the diversity of use of the medium, as well as films of other Garin Nugroho, one of which is Opera Jawa.…”

Section: Analysis and Discussionmentioning

confidence: 99%

Creative Transposition of Puppet’s Movement as Cultural Identity Case Study ‘Setan Jawa’ Film By Garin Nugroho

Dewi¹,

Piliang²,

Irfansyah³

et al. 2020

Proceedings of the Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design,

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Image in film is language that can be understood when the image were moving. 'Movement' is a change of position on a body of the initial balance point. Acceleration technologies positioning 'movement' became important keywords that need to be presented in each communication channel. 'Setan Jawa' Film by Garin Nugroho (2016) is black and white silent film, which the gamelan orchestra composed by Rahayu Supanggah. On 'Setan Jawa' Film, 'movement' being the narrative visual sign in the various arts-including puppet-a vehicle for constructing sign of 'movement' as cultural identity. Focusing on the Javanese identity refers to the result of research by Roger Long (1979), using a narrative visual approach, case study and analysis of documentation, this study aims to identify form of creative transposition puppet's movement in 'Setan Jawa' Film as cultural identity. Result of the study conclude that creative transposition on 'Setan Jawa' Film which constructed based on several types of movement adapted from Roger Long (1979)'s research-there are kadhak, mukadhiphuh and kathentheng-meaning should be considered in order to represent gesture as specific nonverbal message in relation on its context. It's not only showing the surface of cultural narration, but also representation of transcendental meaning.

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“…Bentuk jamak dari medium adalah media. Melalui media inilah sebuah ide, gagasan, dan pesan disampaikan (Belasunda, Saidi & Sudjudi, 2014). Sebagai sebuah gaya ungkap, penulis naskah menggunakan bahasa metafora dalam menyampaikan persoalan realitas terjadinya pernikahan dini.…”

Section: Pendahuluanunclassified

Model Dekonstruksi Metafora Naskah Merarik Kodeq Menyoal Penikahan Dini

Renda

2021

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Abstrak: Naskah merarik kodek merepresentasikan kritik terhadap fenomena pernikahan dini di masyarakat Lombok. Penelitian ini bertujuan mengkaji konflik pernikahan dini dalam naskah merarik kodek. Metode penelitian ini kualitatif jenis metode pustaka. Analisis data menggunakan dekonstruksi Derrida dalam memaknai konflik pernikahan dini yang disampaikan penulis melalui bahasa metafora. Sumber data adalah naskah merarik kodek karya Galih Mulyadi. Naskah merarik kodek terindikasi menggunakan bahasa metafora dalam menyampaikan konflik pernikahan dini. Dalam penelitian ditemukan: 1. metafora bentuk ekspresi transposisi yang tidak memiliki makna lain, seperti, a) Seratus delapan puluh derajat, b) Bantal tidur, c) Menyamankan lelap, d) Ia terbang jauh, e) Indahnya mimpi malam hari bantal tidur tak dirasa lagi, f) Diriku ya diriku, dirinya ya dirinya, g) Kebius manisnya cinta, di atas hamparan pasir yang sunyi, h) Diiringi canda manis ombak pasang yang berkejaran dan bisikan pasir yang terdengar sedikit menggoda, i) Berani melawan, j) Bapakmu dengan gagahnya, k) Melarikan, tulang punggung, l) Benar-benar letih, m) Seorang perusak, dan n) Pembelaan diri yang menyakitkan hati; 2. metafora bentuk ekspresi transposisi yang memiliki makna lain (ekspresi transferensi), mempertemukan barterdisasi antara konflik peristiwa yang dialami tokoh pra dan pasca pernikahan yang menjelaskan sebab akibat dari ketidaksiapan remaja dalam menjalankan kehidupan rumah tangga. Abstract: The script of “Merariq Kodek” represents a criticism of the phenomenon of early marriage in Lombok. The aim of this study is to examine the conflict that happened in early marriage in “Merariq Kodek” script. The method of this study is used qualitative method. The data analysis is used Derrida's deconstruction in interpreting early marriage conflicts which the writer conveyed through metaphor language. The source of the data is based on Galih Mulyadi's “Merarik Kodek” script. The manuscript is indicated to use metaphor language which in early marriage conflicts. The results of this research were found; 1. Metaphors are form of transpositional expressions that has no other meaning, such as, a) One hundred and eighty degrees, b). Sleeping pillow, c) Soothing sleep, d). He flew far, e) The beauty of night dreams of sleeping pillows is no longer felt, f) Myself is myself, he is himself, g) The beauty of the sweetness of love, on the lonely stretch of sand, h) Accompanied by the sweet jokes of the waves and the whisper of sand that sounds a little seductive, i) Dare to fight, j) Your father bravely, k) Escape, backbone, l) Really tired, m) A destroyer, and n) Self-defense that hurts the heart. 2). The metaphor of transpositional expressions has another meaning (transference expression). It brings the exchange between the conflict events by pre-wedding and post-marriage figures which explain the causes of youth facing the marriage life.

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Hibriditas Medium pada Film Opera Jawa Karya Garin Nugroho sebagai Sebuah Dekonstruksi

Cited by 6 publications

References 0 publications

The Meaning of Hijrah among Niqobers in Social Media

The Meaning of Hijrah among Niqobers in Social Media

Creative Transposition of Puppet’s Movement as Cultural Identity Case Study ‘Setan Jawa’ Film By Garin Nugroho

Model Dekonstruksi Metafora Naskah Merarik Kodeq Menyoal Penikahan Dini

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