Identity Exhibition in Batik Motifs of <i>Ebeg</i> and <i>Pataruman</i>

Krisnawati, Ekaning; Sunarni, Nani; Indrayani, Lia Maulia; Sofyan, Agus; Nur, Tajudin

doi:10.1177/2158244019846686

Cited by 16 publications

(12 citation statements)

References 12 publications

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“…Batik is one of Indonesia's cultural icons which has received an award as a cultural heritage from UNESCO on October 2, 2009 [1]. Batik is a cultural product that has visual beauty and contains philosophy in each of its patterns [2].…”

Section: Introductionmentioning

confidence: 99%

Classification of Geometric Batik Motif Typical of Indonesian Using Convolutional Neural Network

et al. 2022

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Batik is a world heritage from Indonesia which is a characteristic of Indonesian culture. On October 2, 2009 batik has been awarded as a cultural heritage from UNESCO. Indonesia has 5.849 batik patterns from Aceh to Papua. The ability to recognize batik cloth patterns is certainly quite difficult and only owned by certain people who have expertise. One way to identify batik patterns is by using a pattern recognition classification method based on quantitative measurements of the main features or characteristics of an object. Deep Learning is one solution to detect batik patterns automatically. One of deep learning methods that can classify patterns of batik patterns is Convolutional Neural Network (CNN). CNN is able to group and detect objects in the image automatically by accepting input data with a size of m×n. CNN uses image input through a convolution layer and be processed according to the specified filter. Each layer produces a pattern from several parts of the image that facilitates the classification process. This study uses the CNN method and obtains the average value of 96% accuracy, 96,78% precision, 96,74% recall, and 96,74%.

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Section: Introductionmentioning

confidence: 99%

Classification of Geometric Batik Motif Typical of Indonesian Using Convolutional Neural Network

et al. 2022

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“…There are various sources of ideas that inspire the creation of batik motifs in Indonesia, such as names of arts, flora, fauna, legendary figures, and cultural artifacts. In the field of art, there are Kupang ikat weaving , Gayo carving crafts from Aceh, Jepara and Baturaja (Irfa'ina Rohana Salma, 2014;Wulandari & Salma, 2019), the uniqueness of Reog art (Mulyanto & Hartono, 2018), and the Ebeg dance as a traditional dance in the city of Banjar, West Java, became a source of ideas for creating batik motifs (Krisnawati, Sunarni, Indrayani, Sofyan, & Nur, 2019). Furthermore, flora's beauty, such as grass, can be used as a source of ideas (Syamwil, Sugiarto, Rohidi, & Nurrohmah, 2019).…”

Section: Introductionmentioning

confidence: 99%

Tamarind (Tamarindus indica L.): Source of Ideas Behind the Semarang Batik Motifs to Strengthen Local Cultural Identity

et al. 2022

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Tamarind (Tamarindus indica L.), a type of tropical plant that grows in Indonesia has various benefits and has been widely studied by various disciplines. The study of Tamarind as a source of ideas for art creation, on the other hand, has not been widely carried out. The aims of this study are: (1) To explain the process of creating Semarang batik motifs using the idea of Tamarind through the stylization of forms; (2) to analyze the shape of the Tamarind batik motif to strengthen the identity of Semarang’s local culture. This study uses a qualitative approach with phenomenological methods to examine phenomena related to the creation process and the uniqueness of locality-based batik motifs on batik artisans in Semarang City. The data collection techniques used were observation, in-depth interviews, and document studies. The data that has been collected was analyzed interactively through data reduction, presentation, and conclusions with the scope of analysis in intra-aesthetic and extra-aesthetic studies. The results showed that: (1) Tamarind is a typical plant that is closely related to the toponym of the city of Semarang so it becomes a source of ideas for the creation of locality-based batik motifs through the stylization technique by Semarang batik artisans; (2) Visualization of the shape of the Tamarind batik motif that has been produced shows the diversity and uniqueness of the form as an aesthetic expression of the batik artisan in responding to the beauty of the natural and socio-cultural environment in Semarang City according to the level of knowledge and aesthetic experience. This research contributes to the batik artisan in exploring the diversity of local plant species as a source of ideas for creating environmentally-based batik motifs to strengthen the value of local cultural identity.

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“…Batik is a famous fabric from Indonesia, which can be used for clothing, scarves, fashionable wall hangings, and household accessories. Since October 2, 2009, the United Nations Educational, Scientific, and Cultural Organization (UNESCO) acknowledges Batik as an intangible cultural heritage [1]. It is an ethnological object and traditional art form.…”

Section: Introductionmentioning

confidence: 99%

Color Analysis of Batik Fabric by Facile Smartphone Colorimetry

Sirisathitkul

Kaewareelap

2021

Int. J. Adv. Sci. Eng. Inf. Technol.

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The color of a textile material is the first attribute and key component considered by consumers while purchasing cloth. However, measurement of fabric color is a very challenging task in the textile fabrication process. Colorimeters aids this measurement by adding objective assessments to a generally subjective process. The colorimeter application in Android smartphones provides a simple alternative to dedicated colorimetric devices. The purpose of this study was to determine the suitability of the smartphone colorimetry application for a Batik fabric color measurement. The colors of various Batik fabric images in the International Commission on Illumination L*a*b* color space, which includes all the colors that are visible by the human eye, obtained by a spectrophotometer and the colorimeter application were compared. Data of Batik fabric images acquired at three different distances of 10, 20, and 30 cm were analyzed. The color differences between the colorimeter and spectrophotometer results are various depending on the distance from the target. The ΔE * ab and ΔE * ch metrics were used to evaluate the color differences between the reference and sample fabric colors. The lowest mean of ΔE * ab values was 12.11  5.29 measured 20 cm away from each fabric. The mean values of ΔE * ab between pairs of color symbols from the Colorimeter application were comparable to those obtained by the spectrophotometer. The ΔE * ab values were more suitable for fabric color measurement than ΔE * ch. The results indicate that smartphone colorimetry provides reasonable accuracy, is simple to use for amateurs, suitable for fabric color matching, and can satisfy fabric market requirements.

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Identity Exhibition in Batik Motifs of Ebeg and Pataruman

Cited by 16 publications

References 12 publications

Classification of Geometric Batik Motif Typical of Indonesian Using Convolutional Neural Network

Classification of Geometric Batik Motif Typical of Indonesian Using Convolutional Neural Network

Tamarind (Tamarindus indica L.): Source of Ideas Behind the Semarang Batik Motifs to Strengthen Local Cultural Identity

Color Analysis of Batik Fabric by Facile Smartphone Colorimetry

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