Interaction Aesthetics and Ubiquitous Music

Keller, Damián; Otero, Nuno; Lazzarini, Victor; Pimenta, Marcelo Soares; Lima, Maria; Johann, Marcelo; Costalonga, Leandro

doi:10.1007/978-1-4471-6681-8_6

Cited by 22 publications

(26 citation statements)

References 31 publications

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“…Consequently, the sounds derived from this referential identity become available as materials that expand the sonic palette without interfering with their timbral qualities. These qualities result from the relational properties that come into play during the compositional process (Keller, Otero, Lazzarini, Pimenta, Lima, Johann and Costalonga 2015). Despite departing from a limited set of sonic materials, the manipulations of phase-synchronicities and temporal decorrelations among the sonic streams expand the timbral profile of the sonic events and textures (Keller and Rolfe 1998).…”

Section: From Multimodal Creative Practices To Gastrosonicsmentioning

confidence: 99%

Domestic Ubimus

Keller¹,

Simurra²,

Messina³

et al. 2022

EAI Endorsed Transactions on Creative Technologies

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INTRODUCTION:In this paper we discuss concepts and practices that point to a new field of ubiquitous music (ubimus) research centered on domestic settings. OBJECTIVES: The objective of this paper is to document and share a preliminary study of the use of taste as a trigger for creative decisions and a comparative study of creative music making done at home and in transitional settings. METHODS: Groundwork in this area encompasses the design, implementation and deployment of ubimus systems. Key aspects include sonic resources and metaphors for creative action based on multimodality. RESULTS: The results indicate that unpredictable sonic environments foster originality but may compromise the subjects' creative performance -reducing their level of engagement and fun and the possibilities for collaboration, while increasing the cognitive demands of the activity. Home seems to furnish a positive context as long as the objective is not to increase the originality of the outcomes. CONCLUSION: The effectiveness of taste as a scaffold for creative decisions was partially confirmed, demanding further studies. These results have implications for both the artistic aspects of sound making and the everyday usage of sound for distant socializing in domestic settings, posing renewed challenges to the ongoing STEAM initiatives.

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Section: From Multimodal Creative Practices To Gastrosonicsmentioning

confidence: 99%

Domestic Ubimus

Keller¹,

Simurra²,

Messina³

et al. 2022

EAI Endorsed Transactions on Creative Technologies

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“…Universidade Federal de Uberlândia | Brasil música ubíqua (ubimus) surge da necessidade de ampliar a pesquisa nas práticas criativas para atender as demandas de participantes sem formação musical e as demandas de músicos interessados na exploração de espaços informais (KELLER et al, 2014a). Após uma década de iniciativas inovadoras e de trocas frutíferas e variadas, observamos forças de atração que apontam em direções complementares e em alguns casos incompatíveis com as práticas preexistentes.…”

Section: Daniel L Barreirounclassified

Editorial Seção Temática Música Ubíqua – Forças de atração e desafios na pesquisa ubimus

Keller

Barreiro

2018

Self Cite

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“…Affordances remain problematic until today. For this reason, we have opted to adopt the more neutral label relational properties for the design qualities that emerge from interaction (Keller et al 2015b(Keller et al , 2015c. So far, we have identified three types of relational properties: material, social and formal.…”

Section: Relational Propertiesmentioning

confidence: 99%

“…Behaviours change materials and materials change behaviours, fostering a process of affordance formation. This process impacts the way the resources are employed to support creative activities, yielding dynamic relationships among resources and agents, also called relational properties (Keller et al 2014c, 2015c; Keller, Otero and Costalonga 2015b).…”

Section: Modelling Ecologies For Music-makingmentioning

confidence: 99%

Ecologically Grounded Creative Practices in Ubiquitous Music

Keller

Lazzarini

2017

Org. Sound

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Instrumentally oriented and individualistic approaches dominate the current perspectives on musical interaction and technologically oriented composition. A view that focuses on the broad aspects of creativity support is proposed as a viable theoretical and methodological alternative: ubiquitous music practice. This article summarises several findings in ubiquitous music research, pointing to new theoretical frameworks that tackle the volatile and distributed creativity factors involved in musical activities that take place outside of traditional venues, involving the audience as an active creative partner. A new definition of ubiquitous music is proposed encompassing four components related to the human and the material resources, the emergent properties of musical activities and the design strategies involved in supporting distributed decision making. We highlight the application of embedded-embodied cognition in creative practice, arguing for the adoption of an ecologically grounded framework as an alternative to the mainstream anthropocentric and disembodied acoustic-instrumental paradigms. We discuss the relevance of the new materialist concepts of ecologies and meshworks within artistic creative practice, highlighting the implications of the emergent creativity support methods for context-based composition.

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Interaction Aesthetics and Ubiquitous Music

Cited by 22 publications

References 31 publications

Domestic Ubimus

Domestic Ubimus

Editorial Seção Temática Música Ubíqua – Forças de atração e desafios na pesquisa ubimus

Ecologically Grounded Creative Practices in Ubiquitous Music

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Interaction Aesthetics and Ubiquitous Music

Cited by 22 publications

References 31 publications

Domestic Ubimus

Domestic Ubimus

Editorial Seção Temática Música Ubí­qua – Forças de atração e desafios na pesquisa ubimus

Ecologically Grounded Creative Practices in Ubiquitous Music

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Product

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About

Editorial Seção Temática Música Ubíqua – Forças de atração e desafios na pesquisa ubimus