2008
DOI: 10.1098/rstb.2008.0016
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Introduction. The sapient mind: archaeology meets neuroscience

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Cited by 52 publications
(33 citation statements)
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“…What you are saying is very interesting because -in fact there's going to be a meeting in September in Cambridge about this (see Renfrew, Frith, and Malafouris 2009) -but there's a sort of paleontological question, as you rightly say we are very much altered by our language, our material culture, but presumably our brains have not actually changed for several thousands years. What were the people like before they had…this -I don't know the details in full, but the development of stone tools -they kept it at a very similar level for several thousands of years, and then suddenly it started to increase, presumably because of the influence of the culture, rather than following a change in the brain.…”
Section: Discussionmentioning
confidence: 99%
“…What you are saying is very interesting because -in fact there's going to be a meeting in September in Cambridge about this (see Renfrew, Frith, and Malafouris 2009) -but there's a sort of paleontological question, as you rightly say we are very much altered by our language, our material culture, but presumably our brains have not actually changed for several thousands years. What were the people like before they had…this -I don't know the details in full, but the development of stone tools -they kept it at a very similar level for several thousands of years, and then suddenly it started to increase, presumably because of the influence of the culture, rather than following a change in the brain.…”
Section: Discussionmentioning
confidence: 99%
“…A thorough, far-reaching collection of papers on 4E (embodied, embedded, enactive, and extended) cognition. Renfrew, C., Frith, C., & Malafouris, L. (2008). (See Re ferences).…”
Section: Resultsmentioning
confidence: 99%
“…Some of the basic aspects of prehistoric rock art studied so far by the scholars are: rock art as "ritual and magic," 15,16,17 as "symbolic and metaphoric practice," 18 as "territorial marker," 19 with an "ecological approach," 20,21,22 and as "an external memory store." 23 The images of animals, cervid, bovid, equuas and elephus are painted in shelters where artists, who portrayed these images, would have come into regular contact with the animals. On the cave walls animal motifs predominate and are painted repeatedly (Table 2).…”
Section: Painted Rock Sheltersmentioning
confidence: 99%