Kepribadian Tokoh Utama Wanita Dalam Novel Alisya Karya Muhammad Makhdlori: Kajian Psikologi Sastra

Abstract

The purposes of this research are to describe story facts, personality structure of female lead character, and the factor behind personality changes of female lead character in the novel Alisya by Muhammad Makhdlori. This research is a descriptive qualitative research with psychology of literature studies. This research use objective approach. The data source of this research is from the novel Alisya by Muhammad Makhdlori. The data collection techniques are reading and noting. The data analysis technique used qualitative analysis that consists of three ways, those are data reduction, data presentation, and drawing conclusion. The results of this research showed some findings, firstly, story fact in the novel Alisya consists of plot, characterization, and setting. The plot in this novel is forward. The characters in this novel are having roles as main character and additional character. Settings of place in this novel are in Batam, Jakarta and Singapore. Settings of time happen before Alisya became a bitch, after Alisya became a bitch, when Alisya infected HIV’s virus and the last when Alisya stop became a bitch. Social setting in this novel is society’s point of view of HIV’s victim. Secondly, the stimulus of id in Alisya portrayed when Alisya want to flee from poverty, want to become a famous model, want to take a break, want to die, and want to eat. The responds of ego showed when Alisya decided to achieve an offer to take naked photo in magazine and when she decided to achieve Sandy’s invitation to go to the party that held in Singapore. The superego responds showed when Alisya counterbalances whether to achieve the offer to take naked photo or not. Thirdly, from the analysis of Alisya’s personality the researcher fond some factors of Alisya’s personality changes, those are; physical factor, social factor, and the factor from her own self.Keywords: female lead character, personality, Alisya novel

Perbandingan Konstanta Elastisitas Virus Hiv-1 Matang Dan Hiv-1 Belum Matang

“…Hal tersebut sangat terkait dengan karakteristik virus tersebut, yakni ukuran, ketebalan, dan sifat instrinsik virus. Berdasarkan (Ahadi et al, 2013;Fajriyah et al, 2017) dan (Kol et al, 2007), karakteristik yang dimiliki cangkang virion HIV tipe 1 dalam kondisi matang, yaitu memiliki ketebalan ℎ = 5.0 𝑛𝑚, radius 𝑅 1 = 45 𝑛𝑚, 𝑅 = 47.5 𝑛𝑚, 𝑑𝑎𝑛 𝑅 2 = 50.0 𝑛𝑚, rasio Poisson 𝜈 = 0.4, dan modulus elastisitas 𝐸 = 0.44 𝐺𝑃𝑎. Sedangkan, karakteristik yang dimiliki cangkang HIV-1 dalam keadaan belum matang, yaitu memiliki nilai modulus elastisitas sebesar 0.93 𝐺𝑃𝑎 = 0.93 𝑛𝑁 (𝑛𝑚) 2 , radius eksternal sebesar 50 nm, ketebalan cangkang sebesar 25 nm dan rasio poisson sebesar 𝜈 = 0.4.…”

The Personality Structure of the Main Character in Marwah Mamduh’s Novel Na’am Ahwâkarya

“…Pada sisi ini dapat dipahami, kendatipun pada awalnya Rana menolak perkawinan tersebut, tapi akibat proses internalisasi nilai-nilai moral masyarakat ke dalam dirinya memberikan pengaruh terhadap penerimaan wasiat ayahnya. Hal ini, seperti dinukilkan oleh (Fajriyah et al, 2017), superego memiliki sifat positif dalam mendorong individu untuk mamantapkan karir produktif di masyarakat.…”

“…Sedangkan ego merupakan aspek kepribadian yang bertanggung jawab untuk menangani realitas, sehingga ego beroperasi mengikuti usaha yang digunakan untuk mendapatkan kepuasan yang dituntun oleh id agar mencegah terjadinya ketengangan baru sehingga memuaskan kebutuhan (Fajriyah, Mulawarman, & Rokhmansyah, 2017). Ego bisa diklasifikasikan sebagai identitas jati diri yang bersifat kacau, karena ia akan mendapatkan deraan yang kejam dari super ego yang akan mempertimbangkannya, dan didesak oleh tuntutan id agar terpenuhi hasrat kebahagiaan.…”

Konflik dan Watak Tokoh dalam Novel Kembara Rindu Karya Habiburrahman El Shirazy: Kajian Psikologi Sastra

“…Penelitian sebelumnya yang melakukan kajian psikologi sastra terhadap suatu novel telah banyak dilakukan, diantaranya penelitian Suprapto et al ( 2014), Fajriyah et al (2017), Erlina et al (2017), dan Rozali (2018). Dalam penelitian ini, cara yang digunakan untuk menghubungkan psikologi dan sastra adalah memahami unsur-unsur kejiwaan tokoh fiksional dalam karya sastra.…”