Komodifikasi Dalam Pengembangan Tradisi Okokan Sebagai Atraksi Wisata di Desa Kediri, Tabanan

Windutama, Wayan; Sunarta, I Nyoman; Wijaya, Ni Made Sofia

doi:10.24843/jumpa.2020.v06.i02.p10

Cited by 4 publications

(4 citation statements)

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“…Komodifikasi biasanya digunakan untuk melihat perkembangan pariwisata dalam perubahan terhadap budaya masyarakat setempat (Wayan, 2020). Dalam setiap perkembangan wisata keterlibatan masyarakat sangat berpengaruh terhadap keinginan pengelola pariwisata.…”

Section: Metode Penelitianunclassified

Perspektif Semiotika Wisata Harau Dream Park sebagai Bentuk Krisis Identitas Budaya Minangkabau

Wiraseptya

Afdhal

Stefvany

2023

DAADJ

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Indonesia memiliki keunggulan dalam sektor pariwisata, hal ini tercatat hampir tiga ribu destinasi wisata di Perusahaan Objek Daya Tarik Wisata Komersial (PODTWK). Khusus di Kabupaten Lima Puluh Kota provinsi Sumatera Barat terdapat objek wisata Lembah Harau yang termasuk kawasan pelestarian alam dalam ruang lingkup cagar alam dan suaka margasatwa. Kemudian kawasan Lembah Harau sedang diupayakan untuk diakui sebagai Kawasan Geopark Nasional. Namun, disamping upaya pengembangan tersebut ada beberapa pengembangan yang dianggap tidak sesuai dengan kearifan lokal. Salah satu fokus pada penelitian ini adalah Kawasan Harau Dream Park yang didesain dengan tampilan budaya asing. Untuk mengungkap permasalahan yang ada di Harau Dream Park maka digunakan metode kualitatif dengan pendekatan teori semiotika dan komodifikasi. Kajian ini didasari pada perspektif peneliti menggunakan teori semiotika. Capaian yang telah didapatkan dari penelitian bahwa kawasan Harau Dream Park semestinya dikembalikan lagi pada nilai-nilai budaya Minangkabau dan Geopark sebagai kegiatan untuk kepentingan penelitian, ilmu pengetahuan, pendidikan, menunjang budidaya, budaya dan wisata.

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Section: Metode Penelitianunclassified

Perspektif Semiotika Wisata Harau Dream Park sebagai Bentuk Krisis Identitas Budaya Minangkabau

Wiraseptya

Afdhal

Stefvany

2023

DAADJ

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“…This study suggests that further research needs to be done by taking the subject of the Tabanan government as a form of government effort in preserving culture. (Windutama, 2020) Talking about capitalism, consumerism and popular culture is very interesting indeed. Moreover, coupled with the phenomenon of social phenomena of declining ethical and moral values, which causes a shift in meaning and action.…”

Section: Introductionmentioning

confidence: 99%

The Legitimacy of Puri Agung Kerambitan Tabanan Towards the Cultural Degradation Crisis of the Okokan Tradition

Wulandari

Bagiarta²,

Dewi³

2022

Sosiohumaniora

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The progress of the times has an impact on the behavior of memory decline regarding culture and profane values so that it has an impact on the ambiguity of the future of culture itself in this case is the tradition of the Okokan performance. This study aims to explore the role of power (legitimacy) of Puri Agung Kerambitan Tabanan on the Okokan Tradition to the cultural degradation that occurred. The method used in this study is a qualitative research method using two types of data sources, namely primary and secondary as well as data collection in the form of observations, interviews and literature studies (literature). Talcot Parson on Structural Functionalism was used in honing this research. Based on the data in the field, it was found that the role of the legitimacy or power of Puri Agung Kerambitan Tabanan was to first form a new group of the young generation of okokan art to be included in every event / activity of the castle. Second, support and take an active role in okokan performing arts groups. This role that has been carried out still requires an understanding strategy to be disseminated to meet the needs disposition. In line with Talcott Parson’s thinking that the disposition of needs can be achieved through a physical system (environment) and a personality system that can be done through socialization in the form of disseminating information through digital media and social control through awig-awig published by stakeholders, both Heritage Village and Puri Agung Kerambitan.

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“…Wayan Windutama explained that there has been a commodification in the development of Okokan tradition as a tourist attraction which is divided into three parts namely Production, Distribution and Consumption Process. [6] Based on the research above, related to the Transformation of Cultural Identity of the Okokan Performing Arts: Disruption or Innovation has never been carried out. The theme that was carried refers to the study of the existing literature which was also conducted for the first time.…”

Section: Introductionmentioning

confidence: 99%

Transformation of Cultural Identity of the Okokan Tradition in Kediri, Tabanan, Bali

Wulandari

Lamopia

2021

IJPS

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Nowadays, the aesthetic value of Okokan performing art has shifted from the sign values replaced by exchange values. This shift is called as a phenomenon of transformation or change that occurs in the Okokan performing art. This study aims to examine the transformation that occurs in the Okokan Traditional Performing Art in Kediri, Tabanan, Bali. Qualitative method is used in solving the problems by taking data through observation, interview, verbal and visual documentation. Based on the findings, the process of the cultural identity transformation of the Okokan performing art includes the transformation of ritual values into profane values. In 1960, the Okokan tradition was carried out only when residents of Kediri had disease outbreak. Year after year, the function of Okokan performing art is shifted to commercialization. Beside of the function, there are changes in the music accompaniment. The existence of popular culture has led the Okokan Tradition being played with modifications of modern musical instruments and dances. The shift also occurs in the use of attributes and dance movements that have followed the current concept.

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Komodifikasi Dalam Pengembangan Tradisi Okokan Sebagai Atraksi Wisata di Desa Kediri, Tabanan

Cited by 4 publications

References 0 publications

Perspektif Semiotika Wisata Harau Dream Park sebagai Bentuk Krisis Identitas Budaya Minangkabau

Perspektif Semiotika Wisata Harau Dream Park sebagai Bentuk Krisis Identitas Budaya Minangkabau

The Legitimacy of Puri Agung Kerambitan Tabanan Towards the Cultural Degradation Crisis of the Okokan Tradition

Transformation of Cultural Identity of the Okokan Tradition in Kediri, Tabanan, Bali

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