La Pensée Chinoise

Larrabee, Harold A.; Granet, Marcel

doi:10.2307/40076486

Cited by 7 publications

(6 citation statements)

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“…Cheng y est cité directement ou comme l'une des sources des paroles de peintres chinois qui appuient le propos. Maldiney tire alors quelques éléments de Vide et Plein, mais la plupart des références sont alors celles à La peinture chinoise (Swann, 1966), également à L'art chinois (Hayek et Forman, 1966), et surtout au livre du sinologue Marcel Granet (1884Granet ( -1940, devenu un grand classique (Granet, 1974), où l'auteur présente les systèmes et les catégories de la pensée chinoise, dans leur originalité. Ces auteurs seront à nouveau convoqués dans les études ultérieures mais les livres de Cheng seront de plus en plus mentionnés.…”

Section: La Voie Ouverte à Maldiney Par La Pensée Taoïsteunclassified

Henri Maldiney dans les pas de François Cheng. La tradition de l'esthétique chinoise et la phénoménologie de l’art

Chen

Ducard

2023

French Cultural Studies

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Résumé Comment et pourquoi le philosophe Henri Maldiney a puisé dans les textes de la tradition esthétique chinoise issue de la philosophie du Daoïsme et du Chan dans son approche phénoménologique de l’art. En quoi les ouvrages de l’écrivain et essayiste François Cheng, traducteur et médiateur, de par sa double culture, ont constitué pour lui une ressource textuelle et une source de réflexion. Notre article place ainsi le premier dans les pas du second pour montrer d’une part la mise en œuvre, par des opérations de citation, paraphrase, reformulation et corrélation, d’une lecture active et interprétative, d’autre part pour mettre en évidence le rapprochement effectué entre les deux conceptions théoriques. Au final il en ressort un éclairage mutuel des catégories de la pensée chinoise et des concepts phénoménologiques, qui renouvelle la compréhension des unes comme des autres.

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Section: La Voie Ouverte à Maldiney Par La Pensée Taoïsteunclassified

Henri Maldiney dans les pas de François Cheng. La tradition de l'esthétique chinoise et la phénoménologie de l’art

Chen

Ducard

2023

French Cultural Studies

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“…The East and West comparison gets us nowhere, as it perpetuates a dialectic that is deeply conventional in philosophy. Sinitic civilization is a strangely normal because it is subject to, in the words of French Sinologist Marcel Granet, "neither God nor law", yet it is able to maintain spiritual life and social order (Granet, 1934). This strangely normal life in China was not marginal in world history; Angus Maddison's research on sizes of economies over a period of two thousand years shows that, until 1850s, China accounted for twenty to thirty percent of world's economy, well above the total of Europe (Maddison, 2007).…”

Section: The Unthoughtmentioning

confidence: 99%

Competency Addiction

2022

Ardeth

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We seem to be addicted to competencies; we train incessantly to improve existing ones and innovate to acquire new ones. Our curriculum vitae is packed with exquisite details of competencies in great variety. Competency is distinctly and deliberately formulated away from goodness, the long-standing moral quality that grounded virtue. Virtue is about the moral conditions of being, while competency is about an amoral effectiveness. When we say one is too clever for one’s own good, we speak of a paradox of addiction: pushing adrenaline and dopamine towards the levels of harm. Business corporations and educational institutions seem to have self-selected their prestige by aligning themselves with market value and research funding, seeing them as benchmarks of competency and success. Like substance addiction, competency addiction began with genuine excitement of innovation and benefit but developed into an all-consuming desire for techno-utopias oblivious of their damage to ecology. Perhaps it is time to ask: why did we switch from virtue to competency in the first place?

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“…In ancient China, all aspects of life were subject to the yin/yang duality and the division into left and right depended on the situation. For example, during an official mourning or celebration different hands were used for greeting or kept hidden (Granet, 1934). The key determinant was which aspect was considered to be most relevant in a specific context, either for the sphere or the specific element.…”

Section: Dualistic Thinkingmentioning

confidence: 99%

Political Left and Right: Our Hands-On Logic

Bienfait

Beek

2014

J. Soc. Polit. Psych.

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The origins and immediate vitality of the left/right divide which emerged in French revolutionary politics from 1789 can only be understood against the background of a much older classification dynamic based on the primacy of the right hand, first described by Robert Hertz in 1909. This dynamic infused political thinking first in Versailles and since 1815 in democracies throughout the world. In the process, the classical left/right polarity acquired a new dimension: the complementary notions of ‘accepting’ and ‘questioning’ the existing social order. An essential feature of both the age-old classical polarity and the ensuing political polarity is that they are intimately bound up with local and evolving social contexts: there is no single content-based definition of left and right. As long as the majority of us are predisposed to use our right hand when acting in the world, ‘left versus right’ will remain the most important political antithesis in western-type democracies.

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La Pensée Chinoise

Cited by 7 publications

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Henri Maldiney dans les pas de François Cheng. La tradition de l'esthétique chinoise et la phénoménologie de l’art

Henri Maldiney dans les pas de François Cheng. La tradition de l'esthétique chinoise et la phénoménologie de l’art

Competency Addiction

Political Left and Right: Our Hands-On Logic

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