La terreur spectacle

Arquembourg, Jocelyne; Dayán, Daniel; Lambert, Frédéric

doi:10.3917/dbu.dayan.2006.01

Cited by 30 publications

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“…On the other hand, a political speech act may be accorded a sense of relative authority, notably in a period of partisan consensus, which contributes towards establishing (or on the contrary to refuting) the historical value of a social phenomenon. Like journalists, political leaders carry out ‘a work of definition centring on the nature of the reported action, on the identity of the actors concerned, on the establishment of a narrative and finally on the calculation of the place of each society vis-à-vis this narrative’ (Dayan, 2006: 7). 55 It is a question of political speakers assigning meaning to the event by attributing it with intentionality, as without this, the event does not signify anything.…”

Section: A Rupture Of the Political Temporalitymentioning

confidence: 99%

‘We are at war’: Continuity and rupture in French anti-terrorist discourse

Fragnon

2019

Media, War & Conflict

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This article analyses the circulation of the word ‘war’ in French anti-terrorist discourse since the 1980s. Although its use was apparent well before the attacks carried out in 2015, it experienced such a rise in frequency that it formed a discursive rupture. Its usage seeks to intensify the intentions traditionally evoked by anti-terrorist discourse by calling attention to amplification in the situation, while also seeking to justify a strategy based on exceptional circumstances.

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Section: A Rupture Of the Political Temporalitymentioning

confidence: 99%

‘We are at war’: Continuity and rupture in French anti-terrorist discourse

Fragnon

2019

Media, War & Conflict

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“…R.bras.est.pres.,Porto Alegre,v.1,n.2,jul (1996, p. 430-431). 2 Para saber mais sobre a relação entre terrorismo e televisão, ver Dayan (2006). …”

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11 de Setembro, Arte de Vanguarda?

Schechner

2011

Rev. Bras. Estud. Presença

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RESUMO -11 deABSTRACT -9/11 as Avant-Garde Art? -Can the attacks of 9/11 be considered an avant-garde artistic event? This article aims to discuss, from the point of view of the intentionality of the act and of its reception, the performative character of that historical fact. To carry forward this intent, it presents a historical overview of avant-garde art, and discusses some of the historical and cultural conditions that supposedly operated as triggers of such an event. The text also focuses on the spectacular character of the event and the conditions for its appreciation in a society greatly limited by the media.

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On Television: Journalists Caught Between Rival Demands

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Sécail

2022

Facing Terrorism in France

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La terreur spectacle

Cited by 30 publications

References 0 publications

‘We are at war’: Continuity and rupture in French anti-terrorist discourse

‘We are at war’: Continuity and rupture in French anti-terrorist discourse

11 de Setembro, Arte de Vanguarda?

On Television: Journalists Caught Between Rival Demands

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