2019
DOI: 10.1177/1474474019876619
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Landscape after genocide

Abstract: The March of Peace (Marš mira) is a 63-mile, 3-day walk through eastern Bosnia organised in memory of the victims of the 1995 Srebrenica genocide and traces in reverse a death march. Marchers take a trail from Nezuk, stopping at mass graves found along the way, arriving at the memorial cemetery in Potočari a day prior to the annual mass funeral for victims who have been recently exhumed. This article charts the journey from the death march to the peace march and asks the reader to assess the efficacy of embodi… Show more

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Cited by 8 publications
(7 citation statements)
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References 22 publications
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“…The works analysed above appear at a threshold, where the past finally, perhaps, is loosening its grip, and expression can be about more than seeing individual lives as micro-historical documents of the Killing Fields. In suggesting this, I argue, as others have done, that we are never 'post-genocide' (Riding 2020), for the past is always present, behind and before us, but this selection of works points to a moment where the next generation perhaps takes not another step away, but a step sideways, not to deny history, but to express and create new, parallel histories for the future.…”
Section: Discussionmentioning
confidence: 92%
See 1 more Smart Citation
“…The works analysed above appear at a threshold, where the past finally, perhaps, is loosening its grip, and expression can be about more than seeing individual lives as micro-historical documents of the Killing Fields. In suggesting this, I argue, as others have done, that we are never 'post-genocide' (Riding 2020), for the past is always present, behind and before us, but this selection of works points to a moment where the next generation perhaps takes not another step away, but a step sideways, not to deny history, but to express and create new, parallel histories for the future.…”
Section: Discussionmentioning
confidence: 92%
“…Such discussions circle around questions of absence and presence, on the need to tell, to evidence, to presence the violent past, with the impossibility of so doing. In these narratives even absences can 'speak' and work as an ethical form of response (Willis 2014;Larasati 2017;Riding 2020). However, the performances I discuss here consistently emphasise presence and persistence as a mode of the past remaining (both of the experience of the Khmer Rouge and of dance itself) but in ways that do not necessarily resort to the testimony-witnessing dialectic, rather "they contain something of the thing itself, but which are not the thing itself" (Reason 2006: 232 in Willis 2014.…”
Section: Remains Of Performance History and Memorymentioning
confidence: 99%
“…For instance, John Wylie's (2005) oft‐cited account of walking a single day on the South West Coast Path to engage with conceptualisations of self and landscape was critiqued in a published exchange with Mark Blacksell for its lack of consideration of the ‘real‐politik of walking’ and a focus that ‘seems overly self‐centred and introspective’ (2005, p. 518). Since then, walking has been increasingly engaged with to explore politics, security, (post)colonialism, and militarism (Mason, 2020; Murphy, 2011; Paasche & Sidaway, 2021; Riding, 2020; Sidaway, 2009) and this includes attention to the infrastructures that accompany the walk. The politics of walking is also its ability to critically explore everyday spaces, how it is experienced differently because of class, gender, race, ethnicity, dis(ability) mobility, and its use as a narrative tool to understand issues of place, identity, and belonging (Middleton, 2010; O'Neill & Hubbard, 2010; Rose, 2020; Stanley, 2020).…”
Section: The ‘Infrastructure Turn’ Colonial Temporalities and Intimacymentioning
confidence: 99%
“…To expand: while the materiality of law (i.e. tenure) and fences effects control, so too do the ways that the land is conceived as landscapeor land as it is culturally rendered (Cosgrove, 1985;Riding, 2020) where the 20,000 hectares of Mpala become primarily (or even solely) a habitat of 'significant biodiversity'. As habitatfor charismatic fauna and 100s of species of birdsthe land-as-landscape can be figured as, to use Mpala's founding ethos, a 'living laboratory' 15 that provides 'a hub for experimental and manipulative research by visiting scientists and students … without the restrictions of a national park, allowing scientists to manipulate the environment and conduct landscape-level, controlled experiments'.…”
Section: Inside Contemporary Mpalamentioning
confidence: 99%