Le Hellfest, arène discursive. Sociologie des festivals de musique live comme sphères publiques

Guibert, Gérôme

doi:10.4000/criminocorpus.6393

criminocorpus

2018

DOI: 10.4000/criminocorpus.6393

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Le Hellfest, arène discursive. Sociologie des festivals de musique live comme sphères publiques

Gérôme Guibert¹

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Cited by 2 publications

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Celebrating 30 years louder than hell: exploring commercial and social ‘Host Event Zone’ developments of the heavy metal festival Wacken Open Air

Bohn

Bernardi

2020

Annals of Leisure Research

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Although respective research has proliferated, little attention has been given to the processual nature of festivals. By drawing upon the concept of host event zones, we examine how different spectators perceive the development of the heavy metal festival Wacken Open Air (WOA) with respect to the dynamics between the festival as a temporary place in which visitors enjoy spectacle and ritual, a commercial site and the everyday living space of local inhabitants. WOA has grown in 30 years from an initiative by a few friends for devoted metal fans into an internationally renowned music mega-event. WOA represents a consumption mediated 'peaceful utopia' where festivalgoers find social meaningfulness in neo-tribes. However, the accelerating mainstream appeal of Wacken Open Air for a non-metal fan audience, which significantly spurt by the media, challenges both regular attendees' experience of this idealized space and the relationship between the host community and the festival.

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Celebrating 30 years louder than hell: exploring commercial and social ‘Host Event Zone’ developments of the heavy metal festival Wacken Open Air

Bohn

Bernardi

2020

Annals of Leisure Research

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« Pour moi, c’est plus qu’une expo ! » Production et réception d’une exposition sur les musiques populaires dans un musée d’histoire

Creton¹,

Bornand²,

Letourneux³

et al. 2022

culturemusees

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Le Hellfest, arène discursive. Sociologie des festivals de musique live comme sphères publiques

Cited by 2 publications

References 18 publications

Celebrating 30 years louder than hell: exploring commercial and social ‘Host Event Zone’ developments of the heavy metal festival Wacken Open Air

Celebrating 30 years louder than hell: exploring commercial and social ‘Host Event Zone’ developments of the heavy metal festival Wacken Open Air

« Pour moi, c’est plus qu’une expo ! » Production et réception d’une exposition sur les musiques populaires dans un musée d’histoire

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