1982
DOI: 10.2307/928288
|View full text |Cite
|
Sign up to set email alerts
|

Les modèles métriques dans la poésie de tradition orale et leur traitement musical

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1

Citation Types

0
1
0

Year Published

1987
1987
2019
2019

Publication Types

Select...
5

Relationship

0
5

Authors

Journals

citations
Cited by 6 publications
(1 citation statement)
references
References 0 publications
0
1
0
Order By: Relevance
“…namely through nonsense syllables which are used to explicitly represent, communicate or realise verse templates and their internal divisions. English typically represents a weak-strong pattern with the syllables da-dum (Fabb & Halle 2008); in Tashlhiyt Berber, verse lines can be composed by using a set of syllables for strong positions (ay, lay(l), day(l)), and a different one for weak positions (a, la(l), da(l)) (Jouad & Lortat-Jacob 1982, Dell & Elmedlaoui 2008. Similar systems of mnemonic syllables are used in Hindustani and Karnatic music (Clayton 2000, Reina 2013, and…”
Section: Introductionmentioning
confidence: 99%
“…namely through nonsense syllables which are used to explicitly represent, communicate or realise verse templates and their internal divisions. English typically represents a weak-strong pattern with the syllables da-dum (Fabb & Halle 2008); in Tashlhiyt Berber, verse lines can be composed by using a set of syllables for strong positions (ay, lay(l), day(l)), and a different one for weak positions (a, la(l), da(l)) (Jouad & Lortat-Jacob 1982, Dell & Elmedlaoui 2008. Similar systems of mnemonic syllables are used in Hindustani and Karnatic music (Clayton 2000, Reina 2013, and…”
Section: Introductionmentioning
confidence: 99%