Lingual Semiotics of Absolute Power in the Tudors’ Times

Astafurova, Tatyana; Olyanich, Andrey

doi:10.15688/jvolsu2.2017.4.15

Cited by 2 publications

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“…Scientists talk about the possibility of identifying such system-forming features of the considered type of discourse, such as institutionality, information content, distance, dynamism, to some extent authoritarianism, semantic uncertainty (Astafurova & Olyanich, 2017;Fanyan, 2012;Olyanitch et al, 2017;Plaksin, 2018).…”

Section: Problem Statementmentioning

confidence: 99%

Elements Of Theatrical Discourse As A Component Of A Political Media Discourse

Zinkovskaya¹

2021

European Proceedings of Social and Behavioural Sciences

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The relevance of this study lies in the fact that the study of the typological diversity of the discourse space in semiotic, cognitive, communicative, cultural and other directions continues to open up new facets and approaches for analysis, which is confirmed by a review of the degree of development of the topic in modern philology, which indicates the fact that the problem of interpretation of discourses continues to attract the attention of scientists from various scientific fields, which puts the topic under study in an interdisciplinary framework. On a theoretical basis, the authors turn to the basic concepts of their research, namely, they clarify the definitions of political, theatrical discourses and media discourse and highlight their systemic features to determine the point of interpenetration of these discourses. A correctly orchestrated political event, a clear alignment of the event series, plays an important role in political life, since modern society is inclined to perceive even political reality through the prism of large-scale entertainment and performance. To achieve its goal, dictated by the context of a particular political event and the course of its development, political media discourse successfully uses the main elements of theatrical discourse. Duality of dramatic stage speech: when an actor in his monologue addresses the viewer, when the course of the play requires the direct participation of the viewer and further remarks of the actors completely depend on the context of the viewer's statements, street performances, live dialogical contact of the characters.

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Section: Problem Statementmentioning

confidence: 99%

Elements Of Theatrical Discourse As A Component Of A Political Media Discourse

Zinkovskaya¹

2021

European Proceedings of Social and Behavioural Sciences

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“…The phenomenon of power, the increment of any new knowledge about the nature of power and the mechanisms of domination is one of the most ancient and at the same time the youngest spheres of scientific research. The phenomenon of power, varieties of which are traditionally recognized as sacral, absolute and institutional [Astafurova, Olyanich, 2017], is one of the most important types of social interaction, as a result of which the ruling entity realizes their will and interests.…”

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Semiolinguistics of Sacred Power

Astafurova¹,

Olyanich²

2018

Vestn. Volgogr. gos. univ. Ser. 2 Jazykozn.

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The paper addresses the phenomenon of sacred power as the oldest regulator of the behavior of ethnos from the perspective of social semiotics: it includes the definition of this type of power, its basic spheres of actualization (religious and magic) and identification of its lingual-semiotic, ethno-cultural and discourse parameters in the various semiolinguistic ways: sacred objects and buildings, actions and rituals, verbal texts, language formulas being included. The sacred is defined as something inexpressible by its nature, it is stated that it can be approximated to personal understanding only through the symbol. Sacred power generates semiolinguistic space in the form of verbal and non-verbal signs of various form and content that perform their protective impact on the objects of sacred power. Special attention is paid to genres and rituals through which sacred power is exercised. The authors highlight the phenomenon of ceremony that gives a sacred meaning to human actions, and show what special rituals are linked to communicating with the sacred power. The semiotic aspect of religious and magical protection is differentiated by the quality of the sign: religious semiolinguistics involves sacred myths and symbols, and magic semiolinguistics is based on chasing-out and purifying magic with its signs and texts.

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Lingual Semiotics of Absolute Power in the Tudors’ Times

Cited by 2 publications

References 0 publications

Elements Of Theatrical Discourse As A Component Of A Political Media Discourse

Elements Of Theatrical Discourse As A Component Of A Political Media Discourse

Semiolinguistics of Sacred Power

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