Membaca Resistensi Terhadap Kolonialisme Dalam Cerpen “Samin Kembar”  Karya Triyanto Triwikromo

Efendi, Agik Nur

doi:10.17509/bs_jpbsp.v16i2.4484

Cited by 5 publications

(8 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…In accordance with Efendi's opinion that mimicry is native to colonial tastes, and mimicry is an imitation that arises from within that is based on the urge to be treated equally, then oil servive performs mockery as proof that they are capable of doing the same thing as superior [12]. Mockery done by the inferior gives the reader an idea that the subject can become an object in relation to mimicry.…”

Section: B Mimicry As An Attempt To Savementioning

confidence: 78%

“…Differentiation of treatment does not only apply between countries like Indonesia to East Timor [9] but also interethnic, as happened in America between Anglo-American to African-American, which is depicted in Hughes poems [10], between groups in global cities, namely groups with strong economic power against groups. Weak economy [11], among individuals described in short stories Samin Kembar's, namely between Samin as a manifestation of the indigenous and Resident Blora as invaders [12] even in incorporating religious curricula as happened in the UK, namely religious subjects that are less noticed [13]. Resistance can be divided into active [14] or radical [6] and passive.…”

Section: A Active Resistancementioning

confidence: 99%

“…Mimicry is an imitation done by inferior to superior, in other words indigenous with colonial taste [12]. So, it can be concluded that mimicry is an indigenous effort to "become" colonial because during the indigenous colonial period lived as "the other".…”

Section: B Occupational Concepts That Become "Invaders"mentioning

confidence: 99%

See 2 more Smart Citations

Mimicry and Radical Resistance in Novel Saman

Agustin¹,

Suwarna²

2019

Proceedings of the Second Conference on Language, Literature, Education, and Culture (ICOLLITE 2018)

View full text Add to dashboard Cite

This study attempts to investigate the issue of identity seen from the issue of power relation in Saman, a novel by Ayu Utami. In particular, this study focuses on discussing the phenomenon of identity as an effect of superiority in the social order from postcolonial perspective. Data analysis revealed some phrases and sentences of postcolonial elements which show mimicry and radical resistance inside the novel. The novel shows how superiority in social order can bring the binary opposition of identity. The central figure of this novel who belongs to the inferior group in the society, Saman, accuses the Palm Oil corporation by mimicking their arrogance toward the farmers. Saman also uses the strategy used by the Oil Company in order to achieve his purposes. It is expected that this study will enrich the study of mimicry in postcolonial literary work.

show abstract

Section: B Mimicry As An Attempt To Savementioning

confidence: 78%

Section: A Active Resistancementioning

confidence: 99%

See 1 more Smart Citation

Mimicry and Radical Resistance in Novel Saman

Agustin¹,

Suwarna²

2019

Proceedings of the Second Conference on Language, Literature, Education, and Culture (ICOLLITE 2018)

View full text Add to dashboard Cite

show abstract

“…Secara umum, postkolonial adalah istilah yang digunakan untuk menyebut masa pascakolonial. Sebagai sastra poskolonial dengan menggunakan definisi sempit, sastra poskolonial dapat dipahami sebagai karya sastra yang mencerminkan kesadaran pascakolonial dan semangat perlawanan terhadap ketidakadilan atas kolonalisasi (Efendi, 2016). Bidang kajiannya termasuk karya sastra itu berisi kisah kekuasaan kolonial dari awal penjajahan hingga saat ini (Wardani & Widyahening, 2020).…”

Section: Hasil Dan Pembahasan Kritik Sastra Postkolonialunclassified

Resistensi Kritis Ki Hadjar Dewantara pada Surat Kabar De Express: Sebuah Kajian Postkolonialisme

Masjid,

Trisharsiwi,

Setiawan

et al. 2023

geram

View full text Add to dashboard Cite

Postcolonialism literary criticism is a critical approach to literature that involves the historical context of colonialism and its impact on culture, identity, and power. Postcolonial literary criticism also helps provide an understanding of the concept of 'the Other', i.e., the way in which colonial culture denigrates and belittles other cultures outside its nation. This study aims to examine the article by Ki Hadjar Dewantara written in the newspaper Express with an approach to literary criticism of postcolonialism. This type of research is a descriptive qualitative literature study with an analysis method, namely content analysis. The source of this research data is an article entitled "Als ik een Nederlander was" or "If I Were a Dutchman," written by Ki Hadjar Dewantara (KHD) and published in De Express Newspaper on July 13, 1913. The research data is in the form of discourse quotes contained in the article. Data collection techniques include read, listen, and record techniques. The findings contained resistance in the form of mimicry, hybridity, and ambivalence. The resistance to mimicry or imitation shown by KHD is included in the category of closed or covert reciprocity because the rejection of the policies implemented by the Dutch government is opposed by writing that contains subtle but sharp satire. Hibridity resistance is found in the choice of KHD diction that deliberately explores and contrasts the words inlander-nederlander, freedom and slavery, freedom and oppression. The ambivalence resistance that was found was KHD, who initially wanted to become a Dutchman with his various arguments that flattered as well as satirized and gave condemnation to the colonial nation as KHD's strategy in awakening the patriotism and nationalism of the Indonesian people to fight for independence.

show abstract

“…Melalui para kolonialis Eropa, budaya-budaya Barat diperkenalkan kepada pribumi melalui berbagai cara, termasuk dengan kekerasan dan kerja paksa. Proses yang demikian merupakan penanaman budaya dengan cara pencangkokan ideologi dan identitas (Efendi, 2016). Meski demikian, budaya-budaya modern ini pun akhirnya dapat diterima, bahkan digunakan oleh masyarakat Hindia Belanda yang sebenarnya masih merasa asing dan belum terbiasa.…”

Section: Mimikri Terhadap Eropaunclassified

Relasi Pribumi Dan Kolonialis Dalam Cerpen “Kutukan Dapur” Karya Eka Kurniawan (Tinjauan Postkolonial)

Lestari

2020

GJPBSI

View full text Add to dashboard Cite

PENDAHULUAN Sejarah penjajahan di negeri ini bermula dari daya tarik yang dimiliki oleh Indonesia Timur sebagai Kepulauan Rempah (Hardiman, 2011). Tanah Indonesia dianggap sebagai surga bagi segala yang tumbuh, negeri dengan lahan rempah yang membentang subur, serta sungai dan lautan yang mejadi tempat ikan-ikan hidup dengan makmur. Kekayaan alam inilah yang memicu bangsa-bangsa lain untuk datang mengambil alih tanah Indonesia. Sejarah mencatat terdapat empat bangsa Eropa yang berduyun-duyun mendatangi nusantara untuk menguasai rempah-rempah yang kala itu sangat menguntungkan dalam perdagangan. Keempat bangsa itu adalah Spanyol, Portugis, Inggris, dan Belanda (Hardiman, 2011). Peristiwa penjajahan bangsa yang meninggalkan jejak sejarah, tidak begitu saja terhapus dari ingatan setiap orang Indonesia. Itulah mengapa, segala bentuk penjajahan di masa lampau hingga kini masih menjadi perbincangan dan terus menjadi objek pembicaraan. Jejak-jejak penjajahan juga masih menjadi cerita yang tidak lekang oleh zaman. Kisah-kisah kelam hingga perjuangan masyarakat meraih kemerdekaan juga masih menjadi topik yang tidak bosan didongengkan kepada generasi muda melalui berbagai media, salah satunya karya sastra. Pengalaman masa penjajahan kolonial tertuang dalam berbagai karya sastra Hindia Belanda maupun Indonesia (Ika, 2013). Karya sastra seperti novel, puisi, drama, maupun cerita pendek, banyak merekam jejak penjajahan melalui kisah tentang kolonialisme Barat ketika menancapkan kekuasaan. Di masa penjajahan, karya sastra bertema kolonial bahkan mampu menjadi alat bagi kelompok terjajah untuk menolak, menempelak, bahkan menjatuhkan pihak penjajah (Hamid, 2016). Namun, dalam perkembangannya karya-karya sastra bertema penjajahan lebih banyak bicara mengenai ketertindasan, penderitaan, dan perlawanan bangsa saat memperjuangkan keadilan. Tema seperti inilah yang tergambar dalam cerita pendek (cerpen) berjudul-Kutukan Dapur‖ (KD, 2015) karya Eka Kurniawan, yang menjadi korpus penelitian dalam tulisan ini. Kisah dalam cerpen KD diawali dengan gambaran mengenai rempah Indonesia (yang saat itu bernama Hindia-Belanda) yang secara tidak langsung dikenalkan oleh seorang lelaki bugis yang tengah berada di kapal milik orang-orang Eropa (hlm. 43). Bumbu-bumbu rempah tersebut kemudian memicu munculnya benih penjajahan di Hindia Belanda (hlm. 43). Kisah kemudian berlanjut pada tokoh Diah Ayu, seorang juru masak yang dijual kepada orang Eropa karena kepandaian mengolah rempah menjadi masakan yang enak. Melalui masakan Diah Ayu yang bercita rasa sempurna, muncul sebuah aksi perlawanan terhadap para penjajah. Tokoh Diah Ayu memperlihatkan bahwa pemberontakan dapat muncul melalui tempat yang paling tidak terduga, yakni dapur tempatnya menghidangkan makanan untuk orang-orang Eropa. Dalam ranah penelitian sastra, cerpen KD pernah dikaji menggunakan beberapa teori dan pendekatan ilmiah. Pada tulisan (Rusdiarti, 2019), ditemukan wujud resistensi perempuan dalam cerpen KD melalui kajian struktural naratologi Gerard Genette yang diperdalam dengan konse...

show abstract

Membaca Resistensi Terhadap Kolonialisme Dalam Cerpen “Samin Kembar” Karya Triyanto Triwikromo

Abstract: Keywords:

Cited by 5 publications

References 0 publications

Mimicry and Radical Resistance in Novel Saman

Mimicry and Radical Resistance in Novel Saman

Resistensi Kritis Ki Hadjar Dewantara pada Surat Kabar De Express: Sebuah Kajian Postkolonialisme

Relasi Pribumi Dan Kolonialis Dalam Cerpen “Kutukan Dapur” Karya Eka Kurniawan (Tinjauan Postkolonial)

Contact Info

Product

Resources

About