Mixed signals: what Putin says about gender equality

Johnson, Janet Elise; Novitskaya, Alexandra; Sperling, Valerie; Sundstrom, Lisa McIntosh

doi:10.1080/1060586x.2021.1971927

Cited by 23 publications

(16 citation statements)

References 26 publications

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“…Organizations can work to nourish the careers of both men and women by recognizing the subtle ways in which women are socialized to behave in public spaces that can prevent them from being recognized for their contributions. Data show that women are socialized to frame their suggestions as questions in order to garner consensus, to avoid seeming abrasive . Other studies show that women can be penalized for exercising power and volubility in meetings, whereas doing the same has a strong, positive effect on men .…”

mentioning

confidence: 99%

“…Many participants in the Twitter forum discussed the relative dearth of strong female role models, mentors, and sponsors in their workplaces—role models to inspire, mentors to guide and advise, and sponsors to offer opportunities (even when the individual does not herself believe she is qualified!). The data show that women tend to do well in more purely meritocratic environments, such as college and medical school . But the real world requires a certain “hustle” to achieve success—knowing people, having name recognition, putting oneself up for opportunities—and the structural barriers are higher for women.…”

mentioning

confidence: 99%

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Imposter Syndrome

Mullangi

Jagsi

2019

JAMA

134

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mentioning

confidence: 99%

mentioning

confidence: 99%

Imposter Syndrome

Mullangi

Jagsi

2019

JAMA

134

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“…Rubtsjinskij designer herreklaer, og hans kunstverden er veritabelt maskulin. Likevel viser den en subversiv brodd mot det som må kunne sies å vaere et svaert heteronormativt identitetsprosjekt fra Putin og hans likesinnede (Johnson et al, 2021;Riabov & Riabova, 2014;Sperling, 2014Sperling, , 2016. Myndighetenes diskurs frembringer en disiplinerende russiskhet som preges av ortodoks kristendom, tradisjonelle kjønnsroller og «familieverdier», og som ekskluderer dem som ikke passer inn i et slikt samfunn.…”

Section: Gopnik Men Ikke Muzjikunclassified

Post Post-Sovjet, stil og opprør: Symbolikk og subversiv nasjonalisme i Gosja Rubtsjinskijs «nye Russland»

Naterstad

2022

Nordisk Østforum

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Post Post-Soviet, style and rebellion: Symbolism and subversive nationalism in Gosha Rubchinskiy's 'new Russia' This article explores the resonance enjoyed by streetwear designer Gosha Rubchinskiy among young Russians, and the extensive network that has emerged under his wings and refers to itself as 'the new Russia'. Analysis of Rubchinskiy's work, with Dick Hebdige's semiotic approach as the epistemological context, supplemented by insights from Simon Reynolds, Michel Foucault and Michel Maffesoli, reveals a continuous deconstruction of the Russian regime's hegemonic narrative of Russianness -so-called 'Putinism'. At the same time, Rubchinskiy constructs a countercultural form of Russian national belonging, one with room to accommodate those who feel alienated by mainstream Russian nationalism. From a social science perspective, a countercultural inclusive nation-building project is in itself a paradox -so how are we to understand Gosha Rubchinskiy's 'new Russia'?

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“…As Johnson et al have illustrated, an important aspect of Putin's regime has rested on reaffirming gender norms and carefully navigating traditionalist discourses about family values in modern Russia. 32 As Vlad Strukov notes, the series scrambles gender norms and roles, stating that: Olga's family is typical of contemporary Russia but is anything but traditional. Indeed, children are brought up by single parents, women have multiple sexual partners and get pregnant outside marriage, and the family patriarch is shown to be a completely dysfunctional figure (Iury's alcoholism) and has to be replaced with a matriarch (Olga), struggling to maintain her authority in the face of multiple challenges.…”

Section: S C R I P T E D C O M E D I E S a N D S A T I R Ementioning

confidence: 99%

Satire in Putin's Russia: Cynical Distance as a Tool of State Power

Brassard

2022

VIEW Journal

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For a brief period following the collapse of the Soviet Union, a degree of political freedom existed in Russia that allowed political satire to appear on television. Different oligarchs purchased important television channels and used them to push the Boris Yeltsin government to approve policies favorable to their business interests by polarizing public opinion against the government. The fractious nature of Russian media in the 1990s and the battles for influence between different oligarchs created an environment in which political satire existed openly in Russian culture, which had not been permitted during the nearly seventy years of communist rule. A particularly significant example of this was NTV's program Kukly (Puppets) (1994)(1995)(1996)(1997)(1998)(1999)(2000)(2001)(2002) based on the UK program Spitting Image, which featured puppet versions of prominent Russian politicians, and aired threehundred-sixty-three episodes. Yeltsin unexpectedly resigned as president of Russia on December 31, 1999, and was succeeded by Vladimir Putin, who has remained the central political figure in Russia since then. Putin's government almost immediately began to reign in media freedoms. By the end of 2002, all of Russia's major media properties were under the control of either a state-owned company or close allies of the Russian government. Unsurprisingly Kukly was taken off the air that year, and political satire disappeared from Russian mass culture. This paper will map out the development of Russian satire on television since the collapse of the Soviet Union. Using prominent examples from unscripted standup comedy, evening variety shows and scripted dramas that are openly political and apparently apolitical, this paper argues the Russian television industry engages with and subverts the potential of various satirical genres resulting in the creation of cynical distance that potentially impedes the ability of satire to speak truth to power.

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Mixed signals: what Putin says about gender equality

Cited by 23 publications

References 26 publications

Imposter Syndrome

Imposter Syndrome

Post Post-Sovjet, stil og opprør: Symbolikk og subversiv nasjonalisme i Gosja Rubtsjinskijs «nye Russland»

Satire in Putin's Russia: Cynical Distance as a Tool of State Power

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