2015
DOI: 10.7163/eu21.2014.26.5
|View full text |Cite
|
Sign up to set email alerts
|

Obliterating creative capital? Urban governance of creative industries in post-socialist Budapest

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
6
0
2

Year Published

2019
2019
2022
2022

Publication Types

Select...
5
1

Relationship

0
6

Authors

Journals

citations
Cited by 7 publications
(8 citation statements)
references
References 21 publications
0
6
0
2
Order By: Relevance
“…It is very likely that a continuation of the established practice of urban development in Budapest would consolidate, if not further deepen, the detrimental effects of the postsocialist transition. The next section explores the potential of creativity-driven urban regeneration to do better, for example, to mitigate the socio-spatial effects of three decades of highly biased market-led urban development policy in an integrated manner, and to strengthen the inclusivity, spatial justice, and the sustainability of the city (Czirfusz 2015). Landry's (2008) observation that creativity-driven urban regeneration policy is especially suited to parts of cities with an industrial past where the current urban environment is less attractive for high-end market-led developments.…”
Section: Post-socialist Urbanmentioning
confidence: 99%
“…It is very likely that a continuation of the established practice of urban development in Budapest would consolidate, if not further deepen, the detrimental effects of the postsocialist transition. The next section explores the potential of creativity-driven urban regeneration to do better, for example, to mitigate the socio-spatial effects of three decades of highly biased market-led urban development policy in an integrated manner, and to strengthen the inclusivity, spatial justice, and the sustainability of the city (Czirfusz 2015). Landry's (2008) observation that creativity-driven urban regeneration policy is especially suited to parts of cities with an industrial past where the current urban environment is less attractive for high-end market-led developments.…”
Section: Post-socialist Urbanmentioning
confidence: 99%
“…Although individual studies [12] do not confirm the thesis that it is the creative communities to a greater extent than other factors that determine the level of development of large-scale economic systems, the interest in their identification, measurement and identification of ways of their integration in economic processes is high not only in the USA and Western European countries (where the concept of creative capital appeared), but also in Eastern European countries, which positively perceived the idea of increasing creativity as an important condition for increasing regional competitiveness [13]. Although in some of these countries the idea of creative capital has been translated into development practices differently, E3S Web of Conferences 3 01, 03007 (2021) REC-2021 https://doi.org/10.1051/e3sconf/202130103007 researchers note that "the creativity term can be used for positive alternatives, not only for criticism" [14].…”
Section: Literature Reviewmentioning
confidence: 99%
“…), de gyakran hasonló tartalommal mutatnak be a kutatók mind hazai, mind nemzetközi szinten. Miközben Richard Florida (2005) kreatív osztállyal és annak városmegújító hatásával kapcsolatos elképzeléseinek létjogosultsága ma is élénk vita tárgya (Czirfusz 2014), az Európai Unió városai kreatívváros-programjaikkal igyekeznek magukat a városok versenyében pozicionálni, illetve ezzel versenyelőnyre szert tenni (Egedy 2017). A városi vezetők a kreatív ipar vonzását és annak városmegújító hatását -a városokon belüli leromlott barnamezős övezetek felértékelésében, illetve a belvárosi területek revitalizációjában (és újra eladhatóvá tételénél) -azonban sok esetben túlértékelik (Casellas, Pallares-Barbera 2009;Evans 2009;Hutton 2008;Pratt 2009).…”
Section: Bevezetésunclassified
“…művészet) oldalát nem tartják a tudásintenzív gazdaság részének, hanem olyan eszköznek, mellyel a tudásintenzív szférát vonzhatják adott városi területre. Habár Florida (2005) elképzeléseit a kreatív osztályról és annak vonzásáról több oldalról kritizálták (Czirfusz 2014;Megadja 2008;Peck 2005), mégis újabb és újabb városok esetében jelenik meg a kreatív és tudásintenzív cégek vonzása feltételeként az irodaklaszterek kiváló fizikai és kedvező társadalmi környezetének megteremtése (pl. Jang, Kang 2016 szöuli esettanulmánya).…”
Section: Az úJ Gazdaság éS a Városi Irodapiacunclassified