Pendokumentasian Aplikasi Ragam Hias Budaya Bali, Sebagai Upaya Konservasi Budaya Bangsa Khususnya pada Perancangan Interior

Abstract

Various ornament of Indonesian people comes from the ethnic groups from all over the archipelago. As a tangible cultural ornament has a specific purpose and it does not change throughout the ages. Bali is one of the ethnic group in archipelago that has beautiful decorative art and one of the most popular tourism destination in Indonesia. Bali’s ornament generally seen as decorative carving on the column, window or even in door. The beauty of Bali is not only as an inspiration for their colors and sculpture but also the variety of forms that have been simplified in the ornament. Moreover, floral & fauna forms are easy to apply as an interior element in modern buildings. Generally the value of these ornament has a specific purpose related to the cultural and social custom in Bali people. So that the application need to consider more about the purpose of the symbol of the ornament.

Ornamental Variety Of Bugis Houses In Aha Village

“…In its development, decorative applications must be preserved the traditional meaning contained in it. This avoids the misuse of decorative ornaments that do not fit into place, so it has a different and wrong meaning [9] In addition to beautiflying the building ornament also have different according to the placement and meaning of the philosophy contained in the variety of ornament used [10] Ornamental variety in the building is a complementary element of a home that serves to add aesthetic/beauty value.The process of interpreting Bugis house ornaments is generally based on the level of the building structure [11]. The ornamental function is to add aesthetic value to the building.…”

Akulturasi Sekolah Bergaya Budaya Bali di Ogan Komering Ulu Timur Sumatra Selatan

“…Ide dasar pepatran banyak diambil dari bentuk-bentuk tumbuhan flora dengan bentuk daun, putik, bunga, dan ranting yang berulang-ulang. Filosofi dari pepatran sendiri merupakan tumbuhan yang diambil dari alam yang bermakna dapat memberi perlindungan pada manusia dari rasa takut, panas dan haus yang dapat memberikan rasa nyaman pada manusia yang tinggal dilingkungan bangunan yang dihiasi peptaran (Hartanti & Nediari, 2014).…”

The Kori Agung Character of Heritage Temples: the Architectural References of Klungkung Identity

“…These sandstones are attached to the brick and carved in detail with the motifs of plants and animals ( Figure 2). There are some types of motif used in this kori agung namely the anthropomorphic/ sub morphosis that use a part of animals or human body as an object, flora, geometric and perimbunan that combine some element of nature (Hartanti & Nediari, 2014), In some region, this ornament type is also called keketusan. As a part of the anthropomorphic/ sub morphosis type, fauna motifs, called kekarangan that can be found on the head of the building, is karang goak (the head of a crow).…”