JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org.. ABSTRACT-The removability of naturally aged synthetic picture varnishes has been examined on more than 50 paintings. Most of these paintings had been coated with either poly(isoamyl methacrylate) or poly(n-butyl methacrylate). Since these aged methacrylate coatings were applied between 10 and 40 years ago, questions had been posed about possible cross-linking of the polymer chains, which would make them more difficult to remove with solvents or even render them completely insoluble. These questions were investigated by applying solvents of increasing polarity to the varnish by swab, and analyzing the material removed by infrared spectroscopy. All coatings were found to be removable with solvents, although often fairly polar solvent mixtures were necessary.Only 5 of 25 paintings suspected of being coated with poly(isoamyl methacrylate) were found to be coated with this varnish. The varnish, a type known as 27H, was removed with relatively mild solvents, often by swelling. Thirty-one paintings coated with poly(n-butyl methacrylate) were examined. Although solvents more polar than acetone were not required for removal of the coatings, concerns were raised about the sensitivity of the paint films of early American paintings to that solvent. In addition, although these coatings are removable today, the future aging behavior of these varnishes under the conditions of exposure at the National Gallery of Art, where ultraviolet filters are in place, has not been determined. Continued systematic monitoring of the aging behavior of these varnishes on selected paintings will be carried out seem to violate the principle of having the appropriate aesthetic qualities (de la Rie 1987a; De Witte et al. 1981). JAIC 29 (1990): 181-191 This content downloaded from 62.122.73.122 on Tue, 10 Jun 2014 23:17:22 PM All use subject to JSTOR Terms and Conditions 189 Synthetic Picture Varnishes de la Rie, E. R. 1987a. The influence of varnishes on the appearance of paintings. Studies in Conservation 32:1-13. de la Rie, E. R. 1987b. Research on picture varnishes: Status of the project at the Metropolitan Museum of Art. ICOM Committee for Conservation preprints, 8th Triennial Meeting, Sydney. 2:791-96. de la Rie, E. R. 1988. Photochemical and thermal degradation of films of dammar resin. Studies in Conservation 33:53-71. De Witte, E., M. Goessens-Landrie, E. J. Goethals, K. Van Lerberghe, and C. Van Springel. 1981. Synthesis of an acrylic varnish with high refractive index. ICOM Committee for Conservation preprints, 6th Triennial Meeting, Ottawa. 81/16/4-1-81/16/4-7. Esposito, G. G., and M. H. Swann. 1965. Application of pyrolysis and programmed temperature gas chromatography to the analysis of thermosetting a...